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The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity
16 references·10 citing·27 second hop
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this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1961The Long Revolution3,221 cited
  • 2003The Body and Social Theory2,395 cited
  • 19912. Old And New Identities, Old And New Ethnicities1,103 cited
  • 1991The Body: Social Process and Cultural Theory1,069 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1991Culture, Globalization and the World-System828 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1966Outsiders Studies in the Sociology of Deviance.624 cited
  • 1994The Consuming Body485 cited
  • 2004Sexuality144 cited
  • 1995Latin American Identity and Constructions of Difference.115 cited
  • 1995Cultures of Technological Embodiment: An Introduction92 cited
  • 1989Open letter79 cited

Cited by

  • 2000

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Performing the (Sound)World
183 cited
  • 2007The Art of Doing (Geographies of) Music159 cited
  • 2005The Re‐Branding of Salsa in London’s Dance Clubs: How an Ethnicised Form of Cultural Capital was Institutionalised22 cited
  • 2014Taste differentiation and hierarchization within popular culture: The case of salsa music17 cited
  • 2013Engendering homeland: migration, diaspora and feminism in Ethiopian music9 cited
  • 2013Salsa Dance as Cosmopolitan Formation: Cooperation, Conflict and Commerce in the Midwest United States8 cited
  • 2003Migration and Worldview in Salsa Music8 cited
  • 2021Flipped, Broken, and PausedClave6 cited
  • 2013Romance and sexuality in Japanese Latin dance clubs6 cited
  • 2008Semiotic Analysis of Osvaldo Golijov’s Musical Setting of the Passion Narrative in La Pasión según San Marcos2 cited