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Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity
16 references·1 citing·30 second hop
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References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1996Colonial Desire: Hybridity in Theory, Culture and Race.2,395 cited
  • 1996Colonial desire: Hybridity in theory, culture and race1,558 cited
  • 2000Music and the racial imagination629 cited
  • 1996Blackface, White Noise422 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.347 cited
  • 2007Genre in Popular Music262 cited
  • 1934Music Ho!: A Study of Music in Decline210 cited
  • 2000Making Music Modern202 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation202 cited
  • 1995Putting Popular Music in its Place193 cited
  • 1998Swingin' the Dream193 cited
  • 2000A right to sing the blues: African Americans, Jews, and American popular song179 cited

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Cited by

  • 2012Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet3 cited