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Music Grooves: Essays and Dialogues
0 references·16 citing·56 second hop
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  • 2004Doing anthropology in sound359 cited
  • 2013Race, Ethnicity, and Cultural Production121 cited
  • 2012Music, Language, and Texts: Sound and Semiotic Ethnography107 cited
  • 2013Transnational circulation and digital fatigue in Ghana's Azonto dance craze79 cited
  • 2004Shoot the sergeant, shatter the mountain: The production of masculinity in zulu ngoma song and dance in post-apartheid South Africa68 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2015Ritual sounds, political echoes: Vocal agency and the sensory cultures of secularism in the Dutch Syriac diaspora30 cited
  • 2017Agonistic festivities: urban nightlife scenes and the sociability of ‘anti-social’ fun29 cited
  • 2002The sound of ‘longing for home’. Redefining a sense of community through Minang popular music28 cited
  • 2011Multiple and shifting geographies of world music production28 cited
  • 2012Cultural Property17 cited
  • 2014Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain17 cited
  • 2001Meaning inbengamusic of western Kenya16 cited
  • 2013Una Acustemología de la Selva Tropical16 cited

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2004
Goa Trance and the Practice of Community in the Age of the Internet
11 cited
  • 2009Indonesians and Australians Playing Javanese Gamelan in Perth, Western Australia: Community and the Negotiation of Musical Identities11 cited