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An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis
11 references·11 citing·31 second hop
An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)An example of the complementarity of lase…Raman microscopy in archaeological science (2004)Raman microscopy in archaeolo…An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)An extensive non‐destructive …Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)Pigment identification in pai…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy (2001)Characterization of azurite a…Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy (2000)Pigment Identification in Pai…Microclimatic analysis in St. Stephan's church, Nessebar, Bulgaria after interventions for the conservation of frescoes (2000)Microclimatic analysis in St.…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of pigments in polyc…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification (1997)Laser Diagnostics of Painted …Exploring the viability of combined laser-induced breakdown spectroscopy and Raman spectroscopy for stratigraphic analysis of murals containing isomeric pigments: a case study on realgar and orpiment (2024)Exploring the viability of co…Time-Gated Pulsed Raman Spectroscopy with NS Laser for Cultural Heritage (2023)Time-Gated Pulsed Raman Spect…Red color characterization in several Roman frescos and paintings by in situ and remote LIBS, LIF and Raman Spectroscopies (2022)Red color characterization in…Depth-resolved analysis of historical painting model samples by means of laser-induced breakdown spectroscopy and handheld X-ray fluorescence (2018)Depth-resolved analysis of hi…Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system (2018)Analysis of heritage stones a…Time resolved laser induced fluorescence for characterization of binders in contemporary artworks (2016)Time resolved laser induced f…A multi-technique approach, based on mobile/portable laser instruments, for the in situ pigment characterization of stone sculptures on the island of Crete dating from Venetian and Ottoman period (2016)A multi-technique approach, b…Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy (2014)Analytical procedure for char…Versatile pulsed laser setup for depth profiling analysis of multilayered samples in the field of cultural heritage (2009)Versatile pulsed laser setup …Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup (2009)Spectroscopic analysis of wor…A new compact instrument for Raman, laser-induced breakdown, and laser-induced fluorescence spectroscopy of works of art and their constituent materials (2009)A new compact instrument for …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh (2014)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Preparation Methods and Accessories for the Infrared Spectroscopic Analysis of Multi-Layer Paint Films (2004)In vitro validation of a mobile Raman–XRF micro‐analytical instrument's capabilities on the diagnosis of Byzantine icons (2006)Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS) (2006)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Cultural Heritage Applications of LIBS (2014)The Organic Chemistry of Museum Objects (1988)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Painting Materials: A Short Encyclopedia (2011)Modern analytical methods in art and archaeology (2000)The invention of blue and purple pigments in ancient times (2006)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Identification of berberine in ancient and historical textiles by surface‐enhanced Raman scattering (2007)Chromatic alterations of red lead pigments in artworks: a review (2008)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Pigment identification by spectroscopic means: an arts/science interface (2002)The application of LIBS for the analysis of archaeological ceramic and metal artifacts (2002)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A study of medieval illuminated manuscripts by means of portable Raman equipments (2006)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts (2008)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2004Raman microscopy in archaeological science351 cited
  • 1997Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification220 cited
  • 2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy152 cited
  • 2001Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy112 cited
  • 2000Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy110 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
  • 2000Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy85 cited
  • 2000Microclimatic analysis in St. Stephan's church, Nessebar, Bulgaria after interventions for the conservation of frescoes46 cited

Cited by

  • 2009Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup75 cited

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2009
A new compact instrument for Raman, laser-induced breakdown, and laser-induced fluorescence spectroscopy of works of art and their constituent materials
46 cited
  • 2016A multi-technique approach, based on mobile/portable laser instruments, for the in situ pigment characterization of stone sculptures on the island of Crete dating from Venetian and Ottoman period43 cited
  • 2018Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system43 cited
  • 2016Time resolved laser induced fluorescence for characterization of binders in contemporary artworks38 cited
  • 2014Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy30 cited
  • 2018Depth-resolved analysis of historical painting model samples by means of laser-induced breakdown spectroscopy and handheld X-ray fluorescence24 cited
  • 2009Versatile pulsed laser setup for depth profiling analysis of multilayered samples in the field of cultural heritage20 cited
  • 2024Exploring the viability of combined laser-induced breakdown spectroscopy and Raman spectroscopy for stratigraphic analysis of murals containing isomeric pigments: a case study on realgar and orpiment9 cited
  • 2022Red color characterization in several Roman frescos and paintings by in situ and remote LIBS, LIF and Raman Spectroscopies9 cited
  • 2023Time-Gated Pulsed Raman Spectroscopy with NS Laser for Cultural Heritage9 cited