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THE HIDDEN GOD: IMAGE AND INTERDICTION IN THE NETHERLANDS IN THE SIXTEENTH CENTURY
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THE HIDDEN GOD: IMAGE AND INTERDICTION IN THE NETHERLANDS IN THE SIXTEENTH CENTURY (1982)THE HIDDEN GOD: IMAGE AND INTERDICTION IN…Totem and Taboo: Some Points of Agreement Between the Mental Lives of Savages and Neurotics (2011)Totem and Taboo: Some Points …Toward an interpretation of Pieter Aertsen's profane iconography (1974)Toward an interpretation of P…The Archbishop on the Painters of Florence, 1450 (1959)The Archbishop on the Painter…The Concept of the Image in the Greek Fathers and the Byzantine Iconoclastic Controversy (1953)The Concept of the Image in t…Erotica in vogelperspectief. De dubbelzinnigheid van een reeks 17de eeuwse genrevoorstellingen (Double Entendre in Some 17th-Century Genre Subjects) (1968)Die Kunst des 19. Jahrhunderts (1969)Erasmus and the Visual Arts (1969)Bruegel's parody of an Ovidian myth inLandschap, met Icarus' val (1995)Ambiguity and self-evaluation: The role of idiosyncratic trait definitions in self-serving assessments of ability. (1989)Ambiguity and Self-Evaluation: The Role of Idiosyncratic Trait Definitions in Self-Serving Assessments of Ability (2002)Religion and Spirituality in the Meaning-Making and Coping Experiences of African American Women: A Qualitative Analysis (2002)The Cambridge History of Later Greek and Early Medieval Philosophy (1967)The Cambridge Intellectual History of Byzantium (2017)Donor Portraits in Byzantine Art (2018)
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References

  • 2011Totem and Taboo: Some Points of Agreement Between the Mental Lives of Savages and Neurotics749 cited
  • 1953The Concept of the Image in the Greek Fathers and the Byzantine Iconoclastic Controversy144 cited
  • 1959The Archbishop on the Painters of Florence, 145021 cited
  • 1974Toward an interpretation of Pieter Aertsen's profane iconography3 cited

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