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Paratextual Profusion: Photography and Text in Bertolt Brecht'sWar Primer
15 references·0 citing·29 second hop
Paratextual Profusion: Photography and Text in Bertolt Brecht'sWar Primer (2008)Paratextual Profusion: Photography and Te…Ideology and Ideological State Apparatuses (2024)Ideology and Ideological Stat…The Body and the Archive * (2017)The Body and the Archive *The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The Powers of Speech: The Politics of Culture in the GDR (1998)The Powers of Speech: The Pol…Bertolt Brecht and Critical Theory: Marxism, Modernity and the Threepenny Lawsuit (1997)Bertolt Brecht and Critical T…Photography, vision, and the production of modern bodies (1996)Photography, vision, and the …Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The Cultur…Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Image and Word: The Interaction of Twentieth-Century Photographs and Texts (1989)Image and Word: The Interacti…Image and Word (1987)Image and WordThe Body and the Archive (1986)The Body and the ArchiveThe Author as Producer (1982)The Author as ProducerA Short History of Photography (1972)A Short History of PhotographyDie Welt ist schön : einhundert photographische Aufnahmen von Albert Renger-Patzsch (1928)Die Welt ist schön : einhunde…Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Political matter : technoscience, democracy, and public life (2010)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)Ethnographic Showcases, 1870-1930 (1993)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Excavating AI: the politics of images in machine learning training sets (2021)Tactility and Distraction (1991)9. The Generation Of Postmemory (2008)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)On Critical Ethnographic Work (1986)Twentieth-Century Literary Theory (1988)The Handbook of Journalism Studies (2009)Representing Discourse: The Rhetoric of Transcription (1991)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)Discriminating Data (2021)After Ant: Complexity, Naming and Topology (1999)Reframing Public Policy (2003)A Changing Terrain of Knowledge and Power: A Social Epistemology of Educational Research (1997)Material beings: Objecthood and ethnographic photographs (2002)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)
this work references cited by second hop

References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1992Postmodernism, or, The Cultural Logic of Late Capitalism6,961 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 2024Ideology and Ideological State Apparatuses2,029 cited
  • 1986The Body and the Archive1,113 cited
  • 1972A Short History of Photography361 cited
  • 2017The Body and the Archive *331 cited
  • 1982The Author as Producer241 cited
  • 1996Photography, vision, and the production of modern bodies142 cited
  • 1987Image and Word56 cited
  • 1998The Powers of Speech: The Politics of Culture in the GDR50 cited
  • 1989Image and Word: The Interaction of Twentieth-Century Photographs and Texts36 cited
  • 1997Bertolt Brecht and Critical Theory: Marxism, Modernity and the Threepenny Lawsuit34 cited
  • 1928Die Welt ist schön : einhundert photographische Aufnahmen von Albert Renger-Patzsch7 cited

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