This essay considers the politics of describing Indigenous peoples as ghostly or haunting presences. Focusing on the history of haunting tropes in Canadian cultural production and the recent re-emergence of the spectral Indigenous figure in, among other places, a wilderness park in southwestern British Columbia, I argue that the mobilization of haunting tropes to make sense of contemporary settler-Indigenous relations reinscribes colonial power relations and fails to account for the specific experiences and claims of Indigenous peoples. At a time when cultural geographers are contemplating the possibilities of a `spectral turn', this essay asks what politics are involved in deploying a spectro-geographical approach to studies of the colonial and postcolonial.
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