SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Why 1955? Explaining the advent of rock music
2 references·16 citing·45 second hop
Why 1955? Explaining the advent of rock music (1990)Why 1955? Explaining the advent of rock m…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Popular music scenes and aging bodies (2018)Popular music scenes and agin…What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What Makes Popular Culture Po…Social Spaces of Music: Introduction (2014)Social Spaces of Music: Intro…Artistic Prosumption (2011)Artistic ProsumptionFurther Notes on Why American Sociology Abandoned Mass Communication Research1 (2008)Further Notes on Why American…The cultural and creative industries: a review of the literature (2007)The cultural and creative ind…Creativity and Innovation in the Music Industry (2006)Creativity and Innovation in …Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)Analysing the breakthrough of…The Production of Culture Perspective (2004)The Production of Culture Per…Charting race (2002)Charting raceCo-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 (2001)Co-Evolution of Firm Capabili…What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education (1997)What about the univores? Musi…Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music (1995)Where the Mystical Meets the …Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records (1995)Re-examining the concept of t…Producing Artistic Value: The Case of Rock Music (1994)Producing Artistic Value: The…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Photography: a middle-brow art (1991)The postmodern condition (1994)I’d Like to Thank the Academy, Team Spillovers, and Network Centrality (2010)Cultural sociology and new forms of distinction (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)The Structure of Scientific Revolutions (1963)An Evolutionary Theory of Economic Change. (1983)The Theory of Economic Development (2003)Technological Innovations and Sectoral Change (2009)A Textbook of Cultural Economics (2010)A Textbook of Cultural Economics (2019)Instruments of desire: the electric guitar and the shaping of musical experience (2000)Optimal diversity: Increasing returns versus recombinant innovation (2008)Barriers to the Open Government Data Agenda: Taking a Multi‐Level Perspective (2014)Greening of the financial system and fuelling a sustainability transition (2017)Case Study Research: Design and Methods (1984)Firm Resources and Sustained Competitive Advantage (1991)Firm resources and sustained competitive advantage (2004)On the duality of competition and collaboration: network-based knowledge relations in the biotechnology industry (2004)The Cluster as Market Organisation (2004)Absorbing the Concept of Absorptive Capacity: How to Realize Its Potential in the Organization Field (2009)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)You Can't Always Get What You Want: Educational Attainment, Agency, and Choice. (2005)How Cultural Tastes Shape Personal Networks (2006)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Creating Country Music (1997)Cultural Entrepreneurship (2019)Computational Social Science and Sociology (2020)Ghost in the Machine: On Organizational Theory in the Age of Machine Learning (2020)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Club cultures: music, media and subcultural capital (1996)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)
this work references cited by second hop

References

  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited

Cited by

  • 2004The Production of Culture Perspective705 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 2017What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music264 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited
  • 2001Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997176 cited
  • 2006Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective161 cited
  • 2006Creativity and Innovation in the Music Industry154 cited
  • 1995Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records146 cited
  • 2007The cultural and creative industries: a review of the literature118 cited
  • 2008Further Notes on Why American Sociology Abandoned Mass Communication Research172 cited
  • 2014Social Spaces of Music: Introduction

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

70 cited
  • 1995Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music69 cited
  • 2002Charting race58 cited
  • 2018Popular music scenes and aging bodies53 cited
  • 2011Artistic Prosumption50 cited