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Recreating the Eye of the Beholder: Dancing and Spectacular Display in Early Modern English Theatre
16 references·1 citing·30 second hop
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References

  • 1964Brecht on Theatre: The Development of an Aesthetic1,552 cited
  • 1990The dialectics of seeing: Walter Benjamin and the Arcades project857 cited
  • 1992Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered839 cited
  • 1992The Dialectics of Seeing: Walter Benjamin and the Arcades Project825 cited
  • 1999The acoustic world of early modern England: attending to the O-factor593 cited
  • 2001Renaissance clothing and the materials of memory488 cited
  • 1964Brecht on Theatre408 cited
  • 1976Theories of Vision from Al-Kindi to Kepler398 cited
  • 1998Picturing science, producing art391 cited
  • 2004Humoring the Body385 cited
  • 2005Humoring the body: emotions and the Shakespearean stage243 cited
  • 2002:Renaissance Clothing and the Materials of Memory218 cited
  • 2000A dictionary of stage directions in English drama, 1580-1642214 cited
  • 1982Marxism and Modernism198 cited
  • 1996The Invisible World: Early Modern Philosophy and the Invention of the Microscope.174 cited
  • 1977Theories of Vision from Al-Kindi to Kepler

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168 cited

Cited by

  • 2021‘M[aster] Monkesters schollars’: Richard Mulcaster, Physical Education, and the Early Modern Boy Companies4 cited