Persuasion and Satire in the Malian Theatre

Abstract

Opening Paragraph During the decade from 1958 to 1968 when Mali was ruled by a socialistically inclined, modernization-oriented party, the Union Soudanaise-Rassemblement Démocratique Africain, the Malian theatre was one of the principal ways in which the ideas and programmes of the government were put forward. The purpose of this article is to explore the relations between the theatre as an art form and as a channel for ideas in Mali, and to evaluate the consequences for action of the ideas contained in the theatre. My data are based on my observations of the theatre in a provincial town; my theme is that the Malian theatre was consciously didactic, reflecting the propaganda ends of the government, but that the tradition of stagecraft on which the theatre was based emphasized satire. The gap between the didactic language sought by exponents of the government and the satirical language favoured by the people in the audience was frequently covered by combining the two, often to the detriment of the theatre itself. To understand this we have to look at the content of the plays, as well as at the social context in which they occurred, and at the form of the vehicle. The processes of combining form and content into a cultural entity that would unify rather than divide are what makes the study of the theatre rewarding for the anthropology of aesthetics and creativity.

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