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BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY
3 references·0 citing·13 second hop
BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY (2010)BROWN, BLACK, YELLOW, WHITE: FILIPINO MUS…Le Malaise Creole: Ethnic Identity in Mauritius (2006)Le Malaise Creole: Ethnic Ide…New hybridities, old concepts: the limits of 'culture' (2001)New hybridities, old concepts…Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817 (1985)Signs Taken for Wonders: Ques…Resistance and the Problem of Ethnographic Refusal (1995)Diversity and Self-Determination in International Law (2002)Grounded Theory in Global Perspective (2014)Second Treatise of Government (2018)The Logic of Practice (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Muslim businesswomen doing boundary work: The negotiation of Islam, gender and ethnicity within entrepreneurial contexts (2009)Hybrid Peace: The Interaction Between Top-Down and Bottom-Up Peace (2010)The Location of Culture (2012)A Web of opportunity or the same old story? Women digital entrepreneurs and intersectionality theory (2016)Creole Publics: Language, Cultural Citizenship, and the Spread of the Nation in Mauritius (2007)Community disclosures in a developing country: insights from a neo-pluralist perspective (2016)The ‘Land of the Vaish’? Caste Structure and Ideology in Mauritius (2019)
this work references cited by second hop

References

  • 1985Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817765 cited
  • 2001New hybridities, old concepts: the limits of 'culture'442 cited
  • 2006Le Malaise Creole: Ethnic Identity in Mauritius57 cited

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