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Automatic identification system of Raman spectra in binary mixtures of pigments
13 references·3 citing·31 second hopsampled
Automatic identification system of Raman spectra in binary mixtures of pigments (2012)Automatic identification system of Raman …The use of mobile Raman spectroscopy to compare three full-page miniatures from the breviary of Arnold of Egmond (2011)The use of mobile Raman spect…Russian avant‐garde… or not? A micro‐Raman spectroscopy study of six paintings attributed to Liubov Popova (2010)Russian avant‐garde… or not? …Raman spectroscopy in art and archaeology (2010)Raman spectroscopy in art and…Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Raman spectroscopic discrimin…On‐site analysis of Limoges enamels from sixteenth to nineteenth centuries: an attempt to differentiate between genuine artefacts and copies (2010)On‐site analysis of Limoges e…Analytical Raman spectroscopic discrimination between yellow pigments of the Renaissance (2010)Analytical Raman spectroscopi…Advances in Raman mapping of works of art (2010)Advances in Raman mapping of …Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Synthetic organic pigments of…Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Raman Spectra of Proteinaceou…Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies (2007)Raman identification of yello…Experimental problems in Raman spectroscopy applied to pigment identification in mixtures (2007)Experimental problems in Rama…A fuzzy logic system for band detection in Raman spectroscopy (2004)A fuzzy logic system for band…Evaluation of a Principal Components-Based Searching Algorithm for Raman Spectroscopic Identification of Organic Pigments in 20th Century Artwork (2001)Evaluation of a Principal Com…Spectroscopic study of mixtures of green copper pigments in fresh and aged model samples. Case studies on masterpieces from the Spanish Golden Age (2022)Spectroscopic study of mixtur…Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman Spectroscopy of cultura…Differentiation with Raman spectroscopy among several natural ultramarine blues and the synthetic ultramarine blue used by the Catalonian modernist painter Ramon Casas i Carbó (2014)Differentiation with Raman sp…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks (2019)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)CERAMIC PRODUCTION, PROVENANCE AND USE—A REVIEW* (2008)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)National Gallery Technical Bulletin (1979)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Raman spectroscopic database of azo pigments and application to modern art studies (2000)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analytical chemistry in the field of cultural heritage (2015)Modern analytical methods in art and archaeology (2000)Pigment analyses of a portrait and paint box of Turkish artist Feyhaman Duran (1886–1970): The EDXRF, FT-IR and micro Raman spectroscopic studies (2011)Automatic morphology‐based cubic p‐spline fitting methodology for smoothing and baseline‐removal of Raman spectra (2017)Micro‐Raman spectroscopy and complementary techniques (hXRF, VP‐SEM‐EDS, μ‐FTIR and Py‐GC/MS) applied to the study of beads from the Kongo Kingdom (Democratic Republic of the Congo) (2017)Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study (2006)Jackson Pollock’s Number 1A, 1948: a non-invasive study using macro-x-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least squares (MCR-ALS) analysis (2016)The Organic Chemistry of Museum Objects (1988)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)
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References

  • 2008Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection266 cited
  • 2007Raman identification of yellow synthetic organic pigments in modern and contemporary paintings: Reference spectra and case studies107 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2010On‐site analysis of Limoges enamels from sixteenth to nineteenth centuries: an attempt to differentiate between genuine artefacts and copies76 cited
  • 2010Analytical Raman spectroscopic discrimination between yellow pigments of the Renaissance53 cited
  • 2010Advances in Raman mapping of works of art52 cited
  • 2001Evaluation of a Principal Components-Based Searching Algorithm for Raman Spectroscopic Identification of Organic Pigments in 20th Century Artwork51 cited
  • 2010Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra51 cited
  • 2010Russian avant‐garde… or not? A micro‐Raman spectroscopy study of six paintings attributed to Liubov Popova38 cited
  • 2010Raman spectroscopy in art and archaeology33 cited
  • 2011The use of mobile Raman spectroscopy to compare three full-page miniatures from the breviary of Arnold of Egmond28 cited
  • 2007Experimental problems in Raman spectroscopy applied to pigment identification in mixtures28 cited
  • 2004

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A fuzzy logic system for band detection in Raman spectroscopy
18 cited

Cited by

  • 2016Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing132 cited
  • 2014Differentiation with Raman spectroscopy among several natural ultramarine blues and the synthetic ultramarine blue used by the Catalonian modernist painter Ramon Casas i Carbó14 cited
  • 2022Spectroscopic study of mixtures of green copper pigments in fresh and aged model samples. Case studies on masterpieces from the Spanish Golden Age8 cited