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Cited by

• 2017Unspoken yet Understood: An Introduction and Initial Framework of Subordinates’ Moqi With Supervisors34 cited
• 1998Tradition, tourism, and the cultural show: Malaysia's diversity on display19 cited
• 2015“Center or periphery?”: regional music in contemporary China18 cited
• 2018Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto16 cited
• 2000The "Huayue Tuan" (Chinese Orchestra) in Malaysia: Adapting to Survive13 cited
• 1996Forever red: The invention of solodizimusic in post‐1949 China11 cited
• 2019Permeable frames: intersections of the performance, the everyday, and the ethical in Chinese street singing9 cited
• 2013When Charisma Sustains Tradition: Deploying Musical Competence in Southern Vietnam8 cited
• 2002"Naxi Ancient Music Rocks London": Validation, Presentation, and Observation in the First International Naxi Music Tour6 cited
• 2015“Becoming One”: Embodying Korean P’ungmul Percussion Band Music and Dance through Site-Specific Intermodal Transmission5 cited
• 2013The emergence of the Chinese zheng : traditional context, contemporary evolution, and cultural identity5 cited
• 2020The sounds of modernity in Chinese pop music3 cited
• 2002Learning processes in thenanguanmusic of Taiwan12 cited