SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Reality TV in the digital era: a paradox in visual culture?
16 references·10 citing·29 second hop
Reality TV in the digital era: a paradox in visual culture? (1999)Reality TV in the digital era: a paradox …The Body and the Archive * (2017)The Body and the Archive *Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The Art of Record: A Critical Introduction to Documentary (1996)The Art of Record: A Critical…Into the Image: Culture and Politics in the Field of Vision (1996)Into the Image: Culture and P…Electronic Culture: Technology and Visual Representation (1996)Electronic Culture: Technolog…Television form and public address (1995)Television form and public ad…Simulacra and Simulation (1995)Simulacra and SimulationBlurred boundaries: questions of meaning in contemporary culture (1995)Blurred boundaries: questions…The Contest of Meaning: Critical Histories of Photography (1992)The Contest of Meaning: Criti…Modern Criticism and Theory: A Reader (1991)Modern Criticism and Theory: …The Burden of Representation: Essays on Photographies and Histories. (1989)The Burden of Representation:…Classic Essays on Photography (1981)Classic Essays on PhotographyDocumentary: A History of the Non-Fiction Film (1975)Documentary: A History of the…A Short History of Photography (1972)A Short History of PhotographyAn Introductory Essay (1968)An Introductory EssayWhat is cinema (1967)What is cinemaVisual communion: The photographic image as phatic communication (2019)Visual communion: The photogr…Watching reality from a distance: class, genre and reality television (2016)Watching reality from a dista…The Fragility of Photo-Truth (2015)The Fragility of Photo-TruthRethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age (2014)Rethinking Photojournalism: T…In and out of this world: digital video and the aesthetics of realism in the new hybrid documentary (2008)In and out of this world: dig…Welcome to the Jungle of the Real: Simulation, Commoditization, and Survivor (2006)Welcome to the Jungle of the …“Nothing Is Left Alone for Too Long” (2005)“Nothing Is Left Alone for To…Reconsidering the Fourth Estate: The functions of infotainment (2004)Reconsidering the Fourth Esta…Documentary Screens: Non-Fiction Film and Television (2004)Documentary Screens: Non-Fict…Den trojanske hest: (2000)Den trojanske hest:Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Meetings of minds: Dialogue, sympathy, and identification, in reading fiction (1999)The Cambridge history of early Christian literature (2005)Reading for Learning (2014)Simulacra and Simulation (2007)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)The Quadruple Object (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Representing Discourse: The Rhetoric of Transcription (1991)Contested Global Visions: One-World, Whole-Earth , and the Apollo Space Photographs (1994)Objects of Affect: Photography Beyond the Image (2012)Honour and Shame: Problems in the Comparative Analysis of Moral Systems (1980)Extending the Social Shaping of Technology Approach: Ideology and Appropriation (1992)Long-Term Economic Growth and the History of Technology (2005)Tactility and Distraction (1991)9. The Generation Of Postmemory (2008)Public Identity and Collective Memory in U.S. Iconic Photography: The Image of "Accidental Napalm" (2003)What's the Point of an Index? or, Faking Photographs (2008)Photographs in tourism research: Prejudice, power, performance and participant-generated images (2018)The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film (1995)Re-Membering Places and the Performance of Belonging(s) (1999)Rethinking the Digital Age (2008)
this work references cited by second hop

References

  • 1995Simulacra and Simulation6,889 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1989The Burden of Representation: Essays on Photographies and Histories.935 cited
  • 1981Classic Essays on Photography619 cited
  • 1967What is cinema602 cited
  • 1995Blurred boundaries: questions of meaning in contemporary culture506 cited
  • 1991Modern Criticism and Theory: A Reader487 cited
  • 1968An Introductory Essay450 cited
  • 1992The Contest of Meaning: Critical Histories of Photography405 cited
  • 1972A Short History of Photography361 cited
  • 1975Documentary: A History of the Non-Fiction Film352 cited
  • 2017The Body and the Archive *331 cited
  • 1996The Art of Record: A Critical Introduction to Documentary214 cited
  • 1996Into the Image: Culture and Politics in the Field of Vision207 cited
  • 1995Television form and public address173 cited
  • 1996Electronic Culture: Technology and Visual Representation149 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2004
Documentary Screens: Non-Fiction Film and Television
80 cited
  • 2005“Nothing Is Left Alone for Too Long”58 cited
  • 2014Rethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age57 cited
  • 2015The Fragility of Photo-Truth33 cited
  • 2016Watching reality from a distance: class, genre and reality television31 cited
  • 2008In and out of this world: digital video and the aesthetics of realism in the new hybrid documentary29 cited
  • 2019Visual communion: The photographic image as phatic communication22 cited
  • 2004Reconsidering the Fourth Estate: The functions of infotainment14 cited
  • 2006Welcome to the Jungle of the Real: Simulation, Commoditization, and Survivor13 cited
  • 2000Den trojanske hest:9 cited