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African Negro Music
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African Negro Music (1928)African Negro MusicCultural evolution: Lab-cultured musical universals (2017)Cultural evolution: Lab-cultu…Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms: The Fisk Jubilee Singers in Nineteenth-Century Germany (2016)Singing the Civilizing Missio…On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman’s Approach to Music (2015)On Flogging the Dead Horse, A…Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric (2015)Evolution of tonal organizati…Does Language Determine Music in Tone Languages? (2012)Does Language Determine Music…Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rhythmic Archetypes in Instru…The class and colour of tone: An essay on the social history of vocal timbre (2004)The class and colour of tone:…Learning to perform as a research technique in ethnomusicology* (2001)Learning to perform as a rese…Play It "Con Filin!": The Swing and Expression of Salsa (1998)Play It "Con Filin!": The Swi…Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)Turning the Analysis around: …Judging "By the Beat": Calypso versus Soca (1996)Judging "By the Beat": Calyps…The Rhythmic Structure of West African Music (1987)The Rhythmic Structure of Wes…In Search of Time in African Music (1985)In Search of Time in African …Concepts of African Musical Theory (1974)Concepts of African Musical T…Ganda xylophone music: another approach (1970)Ganda xylophone music: anothe…Characteristics of African Music* (1959)Characteristics of African Mu…Studies in African Music (1959)Theory and Method in Ethnomusicology (1965)Theory and Method in Ethnomusicology (1966)African Musicology: A Bibliographical Guide to Nigerian Art Music (1927–2009) (2010)The musical mode of writing of the Psalms and its significance (2014)‘Say You’re a Nyungarmusicologist’: Indigenous Research and Endangered Song (2015)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Layers and Elasticity in the Rhythm of Noh Songs (2019)Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming (2019)On African Music (2023)How Musical Is Man? (1976)What Do We Know about African Rhythm? (1986)“the past is far and the future is far”: power and performance among Zulu migrant workers (1992)Research in African Literatures (2014)The Psychology of Consciousness (2015)The Challenge of "Bi-Musicality" (1960)Music and Dance: A Theory of the Relations Between Music and Possession. (1991)Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture (2003)Re-appraising ideas of musicality in intercultural contexts of music education (2005)The Individual in Musical Ethnography (2012)Imperial leather: race, gender and sexuality in the colonial contest (1996)Queer Listening to Queer Vocal Timbres (2010)The Location of Culture (2012)The Pragmatics of Qualia in Practice (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice (2020)Gestalt Psychology: An Introduction to New Concepts in Modern Psychology (1970)The Structure of Atonal Music (1973)Maximally Even Sets (1991)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Form as Process: The Buildup Introduction in Popular Music (2015)Performance Practice in the Music of Steve Reich (2016)Music and Language (1994)Lexical tone in Cantonese spoken-word processing (1997)Comparing the rhythm and melody of speech and music: The case of British English and French (2006)Prosodic Dissonance (2024)African Religions and Philosophy (1969)Participatory Discrepancies and the Power of Music (1987)The Theory of Participatory Discrepancies: A Progress Report (1995)Performing Gender in the Trinidad Calypso (2004)Bourdieu, Language and the Media (2010)Rhythms of the Afro-Atlantic world: rituals and remembrances (2011)Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and the racial imagination (2000)Western music and its others : difference, representation, and appropriation in music (2000)Acculturation in the Americas (1953)Chopi Musicians: Their Music, Poetry and Instruments. (1972)" 'Gi Dunu,' 'Nyekpadudo,' and the Study of West African Rhythm" (1986)
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  • 2001Learning to perform as a research technique in ethnomusicology*82 cited
  • 1996Judging "By the Beat": Calypso versus Soca69 cited
  • 2012Does Language Determine Music in Tone Languages?60 cited
  • 1996Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory55 cited
  • 2010Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora51 cited
  • 2004The class and colour of tone: An essay on the social history of vocal timbre45 cited
  • 1959Characteristics of African Music*42 cited
  • 2016Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms: The Fisk Jubilee Singers in Nineteenth-Century Germany37 cited
  • 1974Concepts of African Musical Theory34 cited
  • 1985In Search of Time in African Music28 cited
  • 2015Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric28 cited
  • 1998Play It "Con Filin!": The Swing and Expression of Salsa27 cited
  • 2015On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman’s Approach to Music24 cited
  • 1987The Rhythmic Structure of West African Music24 cited

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  • 2017Cultural evolution: Lab-cultured musical universals24 cited
  • 1970Ganda xylophone music: another approach23 cited