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Cited by

• 2009The Influence of Conservatory Folk Music Programmes: The Sibelius Academy in Comparative Context30 cited
• 2003Feel the beat come down: house music as rhetoric27 cited
• 2003Is anybody listening?27 cited
• 2003The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’24 cited
• 2001Reflections on music and meaning: Metaphor, signification and control in the Bulgarian case23 cited
• 2003Talk and text: popular music and ethnomusicology17 cited
• 2003Pangs of history in late 1970s new-wave rock9 cited
• 2003Jethro Tull and the case for modernism in mass culture8 cited
• 2002Introduction: Ritual music and Communism6 cited
• 2006Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence6 cited
• 2004Peripheries and interfaces: the Western impact on other music4 cited
• 2003Introduction4 cited
• 2017Popular Music as an Interpretive Device for Creating Meaningful Visitor Experience in Music Museums3 cited