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Technique and the Embodied Actor
16 references·0 citing·29 second hop
Technique and the Embodied Actor (1999)Technique and the Embodied ActorActing (2004)ActingMetaphors We Live By (2003)Metaphors We Live ByThe actor's instrument: body, theory, stage (1993)The actor's instrument: body,…The Actor's Instrument (1993)The Actor's InstrumentThe Fiction of Duality (1989)The Fiction of DualityThe Body: Toward an Eastern Mind-Body Theory. (1989)The Body: Toward an Eastern M…Improvisation in Drama (1989)Improvisation in DramaActing: Onstage and Off (1989)Acting: Onstage and OffThe Body in the Mind (1987)The Body in the MindThe Thinking Body (1980)The Thinking BodyThe body of life (1980)The body of lifeTheatre Games (1977)Theatre GamesSeeing With The Mind's Eye (1975)Seeing With The Mind's EyeThe presence of the actor (1972)The presence of the actorThe Actor at Work (1970)The Actor at WorkThe mastery of movement on the stage (1950)The mastery of movement on th…Theatrical Improvisation: Lessons for Organizations (2004)Brand Performances in Social Media (2012)Encyclopedia of Creativity (2020)The Presence of Mediation (1990)Devising Utopia, or Asking for the Moon (2005)The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde (2013)Creativity in Horizontal and Vertical Domains (1997)Theatre for Reconciliation: Desire and South African Students (1997)Role-play Teaching (2006)Stories of Experience and Narrative Inquiry (1990)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Empathy: Its ultimate and proximate bases (2002)Qualitative Analysis for Social Scientists (1987)The contemporary theory of metaphor (1993)A Dynamic Theory of Organizational Knowledge Creation (1994)Somaesthetics: A Disciplinary Proposal (1999)Body consciousness: a philosophy of mindfulness and somaesthetics (2008)Healing processes in group dance therapy (1985)Integrating Fundamental Principles Underlying Somatic Practices into the Dance Technique Class (2004)Dancing bodies, spaces/places and the senses: A cross-cultural investigation (2011)Drama Techniques (2005)Educación teatral: una propuesta de sistematización (2014)Trabajo Social y teatro: considerando las intersecciones (2016)The use of visualization as a means of integrating the spiritual dimension into treatment: A practical guide (1988)Visitors' use of interpretive media at heritage sites (1995)Psychological intervention reduces self-reported performance anxiety in high school music students (2015)Movement and space: Andamanese cartography (1990)Expressing Induced Emotions Through Free Dance Movement (2013)Bodily Communication of Emotion: Evidence for Extrafacial Behavioral Expressions and Available Coding Systems (2018)
this work references cited by second hop

References

  • 2003Metaphors We Live By25,220 cited
  • 1987The Body in the Mind6,478 cited
  • 1989The Body: Toward an Eastern Mind-Body Theory.309 cited
  • 1989Improvisation in Drama80 cited
  • 1972The presence of the actor80 cited
  • 1980The Thinking Body63 cited
  • 1975Seeing With The Mind's Eye61 cited
  • 1977Theatre Games52 cited
  • 1950The mastery of movement on the stage48 cited
  • 1970The Actor at Work37 cited
  • 1980The body of life29 cited
  • 1989Acting: Onstage and Off21 cited
  • 1993The Actor's Instrument15 cited
  • 2004Acting13 cited
  • 1993The actor's instrument: body, theory, stage10 cited
  • 1989The Fiction of Duality8 cited

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