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Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity
16 references·3 citing·33 second hop
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References

  • 1998The possessive investment in whiteness: how white people profit from identity politics2,402 cited
  • 2002The Cunning of Recognition1,950 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 2005Contesting Citizenship in Latin America1,138 cited
  • 2000Indigenous Mestizos825 cited
  • 1999Indigenous Movements and Their Critics: Pan-Maya Activism in Guatemala688 cited
  • 2006Contesting citizenship in Latin America: the rise of indigenous movements and the postliberal challenge620 cited
  • 2002Cholas and pishtacos: stories of race and sex in the Andes574 cited
  • 2006Who Owns Native Culture?432 cited
  • 2005Making Indigenous Citizens398 cited
  • 1991Missing the Revolution: Anthropologists and the War in Peru394 cited
  • 2004Who Owns Native Culture?363 cited
  • 1981To Defend Ourselves: Ecology and Ritual in an Andean Village322 cited
  • 2000Indigenous Mestizos: the politics of race and culture in Cuzco, Peru, 1919-1991289 cited
  • 2007Beyond Exoticism285 cited
  • 1992Nationstates and Indians in Latin America.

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187 cited

Cited by

  • 2014The Ethics of Success: Paradoxes of the Suffering Neoliberal Self in the Andean Peruvian Music Industry8 cited
  • 2017Framing culture: VCD music videos and the politics of genre in the Peruvian Andes4 cited
  • 2017Seeking a New Path: Pasacalle Activists Practicing Culture in Villa El Salvador, Perú4 cited