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Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics
15 references·16 citing·29 second hop
Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics (1995)Music as symbol, music as simulacrum: pos…The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Cassette Culture: Popular Music and Technology in North India (1995)Cassette Culture: Popular Mus…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…The black Atlantic: modernity and double consciousness (1994)The black Atlantic: modernity…Black noise: rap music and black culture in contemporary America (1994)Black noise: rap music and bl…Cassette culture: popular music and technology in north India (1993)Cassette culture: popular mus…Micromusics of the West: A Comparative Approach (1992)Micromusics of the West: A Co…"Most of My Heroes Don't Appear on No Stamps": The Dialogics of Rap Music (1991)"Most of My Heroes Don't Appe…Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music (1990)Black Music in Britain: Essay…The Ideology of the Aesthetic (1988)The Ideology of the AestheticPopular Culture: The Metropolitan Experience (1987)Popular Culture: The Metropol…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicEmotion and Meaning in Music (1957)Emotion and Meaning in MusicMusic from Aleppo during the Syrian War (2023)Music from Aleppo during the …Affective block and the musical racialisation of Romani sincerity (2020)Affective block and the music…Meaning and Affect in Popular Music (2016)Meaning and Affect in Popular…Situating bhangra dance: a critical introduction (2013)Situating bhangra dance: a cr…Music cultures of mechanical reproduction (2013)Music cultures of mechanical …Global exoticism and modernity (2013)Global exoticism and modernityBlack beats with a Punjabi twist (2013)Black beats with a Punjabi tw…HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’ (2012)HIP-HOP AND CULTURAL CITIZENS…Basque Pagan Metal: View to a primordial past (2011)Basque Pagan Metal: View to a…The Jazz Image (2010)The Jazz ImageDJ Spooky and the Politics of Afro-Postmodernism (2010)DJ Spooky and the Politics of…Popular Music and Culture in Puerto Rico (2003)Popular Music and Culture in …Playing with Identities in Contemporary Music in Africa (2003)Playing with Identities in Co…At the crossroads of languages, musics, and emotions in Kathmandu (2000)At the crossroads of language…Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong (1999)Cantopop and Mandapop in pre-…Mapping subversion:Queercore music's playful discourse of resistance (1997)Mapping subversion:Queercore …Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Between Space and Time: Reflections on the Geographical Imagination1 (1990)From segmentation to fragmentation (1997)Playing with risk? participant perceptions of risk and management implications in adventure tourism (2005)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)Is Infant-Directed Speech Prosody a Result of the Vocal Expression of Emotion? (2000)International Handbook of Research in Arts Education (2007)Being Together in Time: Musical Experience and the Mirror Neuron System (2009)Dangerous Desires: Television and Erotics in Late Twentieth-Century India (2004)The Production of Culture Perspective (2004)World music: deterritorializing place and identity (2004)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Means Never Having to Say You're Ethnic (2001)Global Englishes, Rip Slyme, and performativity (2003)Hybridity in Cultural Globalization (2002)Theorizing Globalization (2002)Language rights: Moving the debate forward (2005)
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References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 1961Emotion and Meaning in Music1,957 cited
  • 1988The Ideology of the Aesthetic1,455 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1994The black Atlantic: modernity and double consciousness1,435 cited
  • 1994Black noise: rap music and black culture in contemporary America889 cited
  • 1957Emotion and Meaning in Music768 cited
  • 1993Cassette culture: popular music and technology in north India635 cited
  • 1987Popular Culture: The Metropolitan Experience232 cited
  • 1995Cassette Culture: Popular Music and Technology in North India209 cited
  • 1992Micromusics of the West: A Comparative Approach182 cited
  • 1990Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music74 cited
  • 1991"Most of My Heroes Don't Appear on No Stamps": The Dialogics of Rap Music58 cited

Cited by

  • 1997

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Mapping subversion:Queercore music's playful discourse of resistance
41 cited
  • 1999Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong36 cited
  • 2003Playing with Identities in Contemporary Music in Africa36 cited
  • 2012HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’35 cited
  • 2010DJ Spooky and the Politics of Afro-Postmodernism22 cited
  • 2003Popular Music and Culture in Puerto Rico16 cited
  • 2010The Jazz Image13 cited
  • 2020Affective block and the musical racialisation of Romani sincerity13 cited
  • 2011Basque Pagan Metal: View to a primordial past13 cited
  • 2013Music cultures of mechanical reproduction11 cited
  • 2023Music from Aleppo during the Syrian War10 cited
  • 2013Situating bhangra dance: a critical introduction10 cited
  • 2000At the crossroads of languages, musics, and emotions in Kathmandu8 cited
  • 2013Black beats with a Punjabi twist6 cited
  • 2013Global exoticism and modernity6 cited
  • 2016Meaning and Affect in Popular Music5 cited