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Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution
15 references·1 citing·32 second hop
Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution (2010)Composing Claims on Musical Instrument De…Working Knowledges Before and After circa 1800 (2007)Working Knowledges Before and…On the Growing Role of Observation, Formalization and Experimental Method in Musicology (2006)On the Growing Role of Observ…Harmonious Triads (2006)Harmonious Triads"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)"Should One Applaud?" Breache…Ways of knowing: a new history of science, technology and medicine (2001)Ways of knowing: a new histor…Unbuilding cities : obduracy in urban sociotechnical change (2001)Unbuilding cities : obduracy …The historical performance of music: an introduction (1999)The historical performance of…The Historical Performance of Music (1999)The Historical Performance of…Instruments and the Imagination (1998)Instruments and the Imaginati…Text and Act: Essays on Music and Performance (1996)Text and Act: Essays on Music…Text and act: essays on music and performance (1996)Text and act: essays on music…Instruments and the imagination (1996)Instruments and the imaginati…Authenticities (1995)AuthenticitiesThe Social Construction of Technological Systems: New Directions in the Sociology and History of Technology (1988)The Social Construction of Te…The History of Musical Instruments (1942)The History of Musical Instru…Exploring the Model of Contemporary Chinese Ethnic Musical Instrument Improvement Mechanisms: Based on Grounded Theory (2024)Exploring the Model of Contem…Studies in Ethnomethodology. (1968)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Music in Everyday Life (2000)Auto-Tune, Labor, and the Pop-Music Voice (2018)Kick It (2020)Empty Minds: Innovating Audience Participation in Symphonic Practice (2021)Voyages, Mesures et Instruments Une nouvelle expérience du monde au Siècle des lumières (1997)Demonstrations: sites and sights of direct action (1999)An essay towards a real character and a philosophical language (2002)The Meanings of Experience (2006)Can We Talk, and Should We? Managing Emotional Conflict in Multicultural Teams (2004)What’s so special about model organisms? (2011)“Citizen Science”? Rethinking Science and Public Participation (2018)Dikes and Dams, Thick with Politics (2007)How is technology made?--That is the question! (2009)Mobility as a Tool for Sociology (2014)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)The Schenker Project (2007)Class, Control, and Classical Music (2019)The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s (2001)The biology and evolution of music: A comparative perspective (2006)The Science of Harmonics in Classical Greece (2007)Physics, Ballistics, and Psychology: A History of the Chronoscope in/as Context, 1845-1890. (2005)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Knowledge and Organization: A Social-Practice Perspective (2001)The Politics and Poetics of Infrastructure (2013)Tempo, duration, and flexibility: Techniques in the analysis of performance (1996)Between Process and Product (2001)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)In Search of Authenticity* (2005)An Essentialist Account of Authenticity (2016)The Psychology of Authenticity (2018)
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References

  • 1988The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology2,974 cited
  • 2001Ways of knowing: a new history of science, technology and medicine433 cited
  • 1942The History of Musical Instruments347 cited
  • 1996Text and act: essays on music and performance331 cited
  • 2001Unbuilding cities : obduracy in urban sociotechnical change213 cited
  • 1995Authenticities197 cited
  • 1996Text and Act: Essays on Music and Performance190 cited
  • 1996Instruments and the imagination153 cited
  • 1998Instruments and the Imagination126 cited
  • 2003"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music116 cited
  • 1999The Historical Performance of Music114 cited
  • 2006Harmonious Triads94 cited
  • 1999The historical performance of music: an introduction88 cited
  • 2007Working Knowledges Before and After circa 180069 cited
  • 2006On the Growing Role of Observation, Formalization and Experimental Method in Musicology37 cited

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  • 2024Exploring the Model of Contemporary Chinese Ethnic Musical Instrument Improvement Mechanisms: Based on Grounded Theory

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6 cited