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Elliott Carter as (Anti-) Serial Composer
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Elliott Carter as (Anti-) Serial Composer (2015)Elliott Carter as (Anti-) Serial ComposerTwelve-Tone Music in America (2009)Twelve-Tone Music in AmericaElliott Carter: A Centennial Portrait in Letters and Documents (2008)Elliott Carter: A Centennial …The Myth of Empirical Historiography A Response to Joseph N. Straus (2000)The Myth of Empirical Histori…The Myth of Serial "Tyranny" in the 1950s and 1960s (1999)The Myth of Serial "Tyranny" …The Music of Elliott Carter (1998)The Music of Elliott CarterConcert Music, Rock, and Jazz since 1945: Essays and Analytical Studies (1997)Concert Music, Rock, and Jazz…Twelve-Tone Tonality (1982)Twelve-Tone TonalityThe Composer's Voice (1974)The Composer's VoiceMeta-Variations, Part IV: Analytic Fallout (II) (1973)Meta-Variations, Part IV: Ana…Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter (1973)Flawed Words and Stubborn Sou…Twentieth Century Music: An Introduction (1967)Twentieth Century Music: An I…The American composer speaks : a historical anthology, 1770-1965 (1966)The American composer speaks …Five Centuries of Keyboard Music. An Historical Survey of Music for Harpsichord and Piano (1966)Five Centuries of Keyboard Mu…Letter from Europe (1963)Letter from EuropeSHOP TALK BY AN AMERICAN COMPOSER (1960)SHOP TALK BY AN AMERICAN COMP…Schoenberg and His School; The Contemporary Stage of the Language of Music (1950)Schoenberg and His School; Th…Stravinsky: The Progress of a Method (1962)Problems of Pitch Organization in Stravinsky (1963)Musical Form and Musical Performance (1971)Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice (1982)Bartók's Octatonic Strategies: A Motivic Approach (1991)Understanding the leitmotif: from Wagner to Hollywood film music (2016)The Complement Union Property in the Music of Elliott Carter (2004)Twentieth-Century Chamber Music (2004)The Music of Louis Andriessen (2007)Twelve-tone theory (2002)Mathematics and the Twelve-Tone System: Past, Present, and Future (2009)Class Notes for Advanced Atonal Music Theory (2016)Popular song and popular music on stage and film (1998)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) (2019)Twelve‐Note Music as Music: an Essay in Two Parts (2015)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)Opera After the Zero Hour (2019)Brian Eno: his music and the vertical color of sound (1990)Dismantling a Dystopia: On the Historiography of Music in the Third Reich (2007)Tonality and transformation (2012)A Revisionist History of Twelve-Tone Serialism in American Music (2008)Apuntes sobre el debate académico en Colombia en el proceso de reconocimiento gubernamental de la creación como práctica de generación de nuevo conocimiento, desarrollo tecnológico e innovación (2017)Ask the Experts (2020)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)Formation of a New Harmonic Language in Elliott Carter’s String Quartet No. 2 (2017)Elliott Carter's String Quartet No. 1 (2024)
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References

  • 1974The Composer's Voice387 cited
  • 1950Schoenberg and His School; The Contemporary Stage of the Language of Music72 cited
  • 1967Twentieth Century Music: An Introduction59 cited
  • 1997Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies54 cited
  • 2008Elliott Carter: A Centennial Portrait in Letters and Documents53 cited
  • 1999The Myth of Serial "Tyranny" in the 1950s and 1960s50 cited
  • 1998The Music of Elliott Carter44 cited
  • 1982Twelve-Tone Tonality33 cited
  • 1973Meta-Variations, Part IV: Analytic Fallout (II)33 cited
  • 1966Five Centuries of Keyboard Music. An Historical Survey of Music for Harpsichord and Piano31 cited
  • 2000The Myth of Empirical Historiography A Response to Joseph N. Straus29 cited
  • 1966The American composer speaks : a historical anthology, 1770-196529 cited
  • 1963Letter from Europe27 cited
  • 2009Twelve-Tone Music in America26 cited
  • 1960SHOP TALK BY AN AMERICAN COMPOSER24 cited
  • 1973Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter22 cited

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