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Women, Theatre and Calypso in the English-Speaking Caribbean
16 references·0 citing·38 second hop
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this work references cited by second hop

References

  • 1992Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment.19,442 cited
  • 1986Learning from the Outsider Within: The Sociological Significance of Black Feminist Thought3,527 cited
  • 1993Bananas, Beaches, and Bases: Making Feminist Sense of International Politics.2,439 cited
  • 2014Bananas, Beaches and Bases2,163 cited
  • 1993Family Feuds: Gender, Nationalism and the Family727 cited
  • 1998The Lives and Values of Researchers: Implications for Educating Citizens in a Multicultural Society586 cited
  • 1963Beyond a Boundary499 cited
  • 1995Noises in the Blood349 cited
  • 1996What's in a Name?342 cited
  • 1991Beyond methodology: feminist scholarship as lived research331 cited
  • 1998Post-colonial Drama:Theory, Practice, Politics294 cited
  • 1984The Man-of-Words in the West Indies: Performance and the Emergence of Creole Culture.285 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 1972The Trinidad Carnival, Mandate for a National Theatre180 cited
  • 2000In/out/side: Positioning the Researcher in Feminist Qualitative Research165 cited

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  • 2002Gendered realities : essays in Caribbean feminist thought117 cited
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