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Love in the music room: Thomas Whythorne and the private affairs of Tudor music tutors
9 references·13 citing·29 second hop
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this work references cited by second hop

References

  • 1978Life in the English Country House217 cited
  • 1997Gender, Sex, and Subordination in England, 1500-1800.196 cited
  • 1982Patrons and Musicians of the English Renaissance120 cited
  • 1978The Elizabethan Underworld61 cited
  • 1990Thomas Whythorne and the Problems of Mastery36 cited
  • 1918The household of a Tudor nobleman29 cited
  • 1954Music in the Culture of the Renaissance24 cited
  • 1996Life Cycles in England 1560-1720: Cradle to Grave12 cited
  • 2003Paying the Piper: Music in Pre-1642 Cheshire11 cited

Cited by

  • 2020Crafting Poetry Anthologies in Renaissance England: Early Modern Cultures of Recreation57 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2019Music in the Early Colonial World24 cited
  • 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
  • 2022Untimely Developments14 cited
  • 2022Receiving Early Modern Women’s Drama9 cited
  • 2022Early Modern Women, Race, and Writing Revisited9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2022Lyric Backwardness6 cited
  • 2022Authorship, Attribution, and Voice in Early Modern Women’s Writing4 cited
  • 2022How Lady Jane Grey May Have Used her Education3 cited
  • 2022The Topopoetics of Retirement in Katherine Philips and Lucy Hutchinson2 cited
  • 2022Touches Across Time2 cited
  • 2022Elizabeth Melville2 cited