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Invented by Horror: The Gothic and African American Literary Ideology in Native Son
7 references·1 citing·24 second hop
Invented by Horror: The Gothic and African American Literary Ideology in Native Son (2001)Invented by Horror: The Gothic and Africa…Gothic America: narrative, history, and nation (1998)Gothic America: narrative, hi…The monster show: a cultural history of horror (1993)The monster show: a cultural …Subjects of slavery, agents of change: women and power in Gothic novels and slave narratives, 1790-1865 (1993)Subjects of slavery, agents o…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Richard Wright and the Chicago Renaissance (1986)Richard Wright and the Chicag…From Behind the Veil: A Study of Afro-American Narrative. (1980)From Behind the Veil: A Study…Love and Death in the American Novel (1961)Love and Death in the America…The Gothic and the politics of race (2014)The Gothic and the politics o…Playing in the Dark: Whiteness and the Literary Imagination. (1993)Skin shows: Gothic horror and the technology of monsters (1996)Skin Shows: Gothic Horror and the Technology of Monsters (1998)The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)Monsters Evolve: A Biocultural Approach to Horror Stories (2012)Locating Zombies in the Sociology of Popular Culture (2013)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)"The Shadow of Law": Sentimental Interiority, Gothic Terror, and the Legal Subject (2006)The African American Slave Narrative and the Gothic (2013)The Limits of Literary Realism: Of One Blood's Post-Racial Fantasy by Pauline Hopkins (2013)The American in Charity: "Benito Cereno" and Gothic Anti-Sentimentality (2002)Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing (2010)The Cambridge History of the American Novel (2011)The good-provider role: Its rise and fall. (1981)How the self became a problem: A psychological review of historical research. (1987)Bad is Stronger than Good (2001)African-American Slave Narratives: Literacy, the Body, Authority (1995)The Cambridge History of American Literature (2005)History Hesitant (2015)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)This Is Her Century: A Study of Margaret Walker s Work (2013)The black musician and the white city: race and music in Chicago, 1900-1967 (2014)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1980From Behind the Veil: A Study of Afro-American Narrative.697 cited
  • 1961Love and Death in the American Novel626 cited
  • 1998Gothic America: narrative, history, and nation375 cited
  • 1993The monster show: a cultural history of horror227 cited
  • 1986Richard Wright and the Chicago Renaissance58 cited
  • 1993Subjects of slavery, agents of change: women and power in Gothic novels and slave narratives, 1790-186533 cited

Cited by

  • 2014The Gothic and the politics of race6 cited

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