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Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes: Tyrian purple and madder
8 references·16 citing·31 second hop
Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes: Tyrian purple and madder (2009)Surface‐enhanced Raman spectroscopy (SERS…Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry (2008)Characterisation of historica…Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy (2007)Identification and Characteri…Colour fading in textiles: A model study on the decomposition of natural dyes (2006)Colour fading in textiles: A …Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Application of surface‐enhanc…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art (2005)Application of surface-enhanc…The natural constituents of historical textile dyes (2004)The natural constituents of h…An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)An Improved Dye and Lake Pigm…Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes (2019)Recent Advances on the Analys…A Review on the Archaeological Chemistry of Shellfish Purple (2019)A Review on the Archaeologica…Identifying Pigment Mixtures in Art Using SERS: A Treatment Flowchart Approach (2016)Identifying Pigment Mixtures …Tailored micro-extraction method for Raman/SERS detection of indigoids in ancient textiles (2015)Tailored micro-extraction met…Fourier‐transform surface‐enhanced Raman spectroscopy (FT‐SERS) applied to the identification of natural dyes in textile fibers: an extractionless approach to the analysis (2014)Fourier‐transform surface‐enh…Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings (2014)Combined SERS and Raman analy…Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art (2014)Combined approach of FT‐Raman…Wall paintings studied using Raman spectroscopy: A comparative study between various assays of cross sections and external layers (2013)Wall paintings studied using …Non-invasive investigation on a VI century purple codex from Brescia, Italy (2013)Non-invasive investigation on…Identification of archaeological triterpenic resins by the non-separative techniques FTIR and 13C NMR: The case of Pistacia resin (mastic) in comparison with frankincense (2013)Identification of archaeologi…Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)Surface‐enhanced Raman spectr…Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces (2012)Pretreatment Strategies for S…Multi-technique characterization of dyes in ancient Kaitag textiles from Caucasus (2012)Multi-technique characterizat…Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations (2011)Non-invasive and micro-destru…First chemical evidence of royal purple as a material used for funeral treatment discovered in a Gallo–Roman burial (Naintré, France, third century AD) (2011)First chemical evidence of ro…Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes. Part II: pomegranate and sumac (2010)Surface‐enhanced Raman spectr…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)Comparison of extraction methods for the analysis of natural dyes in historical textiles by high-performance liquid chromatography (2009)Extracting natural dyes from wool—an evaluation of extraction methods (2011)Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)National Gallery Technical Bulletin (1979)Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection (2003)Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Painting Materials: A Short Encyclopedia (2011)Raman microscopy in archaeological science (2004)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)SERS detection of red organic dyes in Ag‐agar gel (2012)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)The Organic Chemistry of Museum Objects (1988)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis (2009)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint (2013)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Portable Equipment for Luminescence Lifetime Measurements on Surfaces (2008)Characterization of contemporary and historical acrylonitrile butadiene styrene (ABS)-based objects: Pilot study for handheld Raman analysis in collections (2020)The molecular characterization of early synthetic dyes in E. Knecht et al's textile sample book “A Manual of Dyeing” (1893) by high performance liquid chromatography - Diode array detector - Mass spectrometry (HPLC-DAD-MS) (2021)A Review of Non-Destructive Raman Spectroscopy and Chemometric Techniques in the Analysis of Cultural Heritage (2024)
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References

  • 2004The natural constituents of historical textile dyes433 cited
  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2006Colour fading in textiles: A model study on the decomposition of natural dyes150 cited
  • 2008Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry150 cited
  • 1996An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector108 cited
  • 2005Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art99 cited
  • 2007Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy78 cited

Cited by

  • 2012Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces65 cited
  • 2019Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes58 cited
  • 2013Identification of archaeological triterpenic resins by the non-separative techniques FTIR and 13C NMR: The case of Pistacia resin (mastic) in comparison with frankincense54 cited
  • 2014Fourier‐transform surface‐enhanced Raman spectroscopy (FT‐SERS) applied to the identification of natural dyes in textile fibers: an extractionless approach to the analysis

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52 cited
  • 2012Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs51 cited
  • 2016Identifying Pigment Mixtures in Art Using SERS: A Treatment Flowchart Approach49 cited
  • 2011Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations49 cited
  • 2010Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes. Part II: pomegranate and sumac49 cited
  • 2015Tailored micro-extraction method for Raman/SERS detection of indigoids in ancient textiles48 cited
  • 2013Non-invasive investigation on a VI century purple codex from Brescia, Italy46 cited
  • 2014Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings43 cited
  • 2014Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art40 cited
  • 2012Multi-technique characterization of dyes in ancient Kaitag textiles from Caucasus39 cited
  • 2013Wall paintings studied using Raman spectroscopy: A comparative study between various assays of cross sections and external layers39 cited
  • 2019A Review on the Archaeological Chemistry of Shellfish Purple37 cited
  • 2011First chemical evidence of royal purple as a material used for funeral treatment discovered in a Gallo–Roman burial (Naintré, France, third century AD)28 cited