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Horror, The Film Reader
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  • 2014The Importance of Neglected Intersections: Race and Gender in Contemporary Zombie Texts and Theories29 cited
  • 2014Artefactos culturales y alfabetización en la era digital: discusiones conceptuales y praxis educativa23 cited
  • 2009Horror to the Extreme: Changing Boundaries in Asian Cinema21 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2007Para-Paracinema13 cited
  • 2007Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety11 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited
  • 2014The Cultural Politics of Horror Film Criticism7 cited
  • 2017Revisiting the Final Girl: Looking Backwards, Looking Forwards7 cited
  • 2014Horror Reception/Audiences6 cited
  • 2015Remediación y patrones narratológicos de las historias de Aliens en la cultura mediática5 cited
  • 2007Women’s Cinema as Counterphobic Cinema5 cited
  • 2021Shimmering in the Swamp: Wetlands, Danger, and Ecological Refractions inAnnihilation

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4 cited
  • 2007Pure Quidditas or Geek Chic?2 cited