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Cited by

• 2010Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora51 cited
• 2015The ontology of twerk: from ‘sexy’ Black movement style to Afro-Diasporic sacred dance46 cited
• 2021Sensing the Sacred: Religious Experience, Somatic Inversions, and the Religious Education of Attention41 cited
• 2012Afrodescendants, Identity, and the Struggle for Development in the Americas40 cited
• 2015Plantation, Archive, Stage: Trans(post)colonial Intimations in Katherine Dunham’sL’Ag’yaandLittle Black Sambo22 cited
• 2010Rhythms of the Afro-Atlantic World20 cited
• 2013Witches, goddesses, and angry spirits: the politics of spiritual liberation in African diaspora women's fiction18 cited
• 2010Bodies of encounter: health, illness and death in the early modern African-Spanish Caribbean.15 cited
• 2012Music of the Gnawa of Morocco : evolving spaces and times9 cited
• 2019Introduction: dance in Africa and beyond: creativity and identity in a globalized world9 cited
• 2019In Plenty and in Time of Need: Popular Culture and the Remapping of Barbadian Identity9 cited
• 2019“From Angola to the world”, from the world to Lisbon and Paris: How structural inequalities shaped the global kizomba dance industry6 cited
• 2013Willful Spirits and Weakened Flesh6 cited