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Appreciation and desire: The male nude in the photography of Robert Mapplethorpe
11 references·0 citing·29 second hop
Appreciation and desire: The male nude in the photography of Robert Mapplethorpe (1998)Appreciation and desire: The male nude in…The Lesbian and Gay Studies Reader (2012)The Lesbian and Gay Studies R…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Male trouble: a crisis in representation (1997)Male trouble: a crisis in rep…The homoerotic photograph: male images from Durieu/Delacroix to Mapplethorpe (1993)The homoerotic photograph: ma…Culture Wars : Documents from the Recent Controversies in the Arts (1992)Culture Wars : Documents from…Art after Modernism: Rethinking Representation (1991)Art after Modernism: Rethinki…Fully Exposed: The Male Nude in Photography (1989)Fully Exposed: The Male Nude …Another way of telling (1982)Another way of tellingThe Allegorical Impulse: Toward a Theory of Postmodernism (1980)The Allegorical Impulse: Towa…The Origin of German Tragic Drama (1978)The Origin of German Tragic D…The Nude: A Study in Ideal Form (1957)The Nude: A Study in Ideal Fo…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Nostalgia-A Polemic (1988)Stage Fright, Animals, and Other Theatrical Problems (2006)Anywhere or not at all: philosophy of contemporary art (2014)U.S. trends in feminine beauty and overadaptation (1986)Marketing images of gender: A visual analysis (1998)Asexuality: What It Is and Why It Matters (2015)Visual sociology: Expanding sociological vision (1988)The Production and Consumption of Environmental Meanings in the Mass Media: A Research Agenda for the 1990s (1990)News and Nuances of the Entrepreneurial Myth and Metaphor: Linguistic Games in Entrepreneurial Sense–Making and Sense–Giving (2005)Moving Images: Fifth-Century Victory Monuments and the Athlete's Allure (1998)How Do Men Grab the Phallus? (2004)Esquisse d'une épistémologie de la théorisation féministe en art (2007)Distinguished Lecture: Facing Power—Old Insights, New Questions (1990)IMag[in]ing annual reports (1996)From segmentation to fragmentation (1997)The rise and fall of highbrow snobbery as a status marker (1997)CULTURAL CRIMINOLOGY (1999)Culture Wars and Opinion Polarization: The Case of Abortion (2001)THE AESTHETICS OF AFFECT: Thinking art beyond representation (2001)Contemporary Art and the Politics of Aesthetics (2009)GLOBAL IDENTITIES (2001)Orientations (2006)Queer Intersections: Sexuality and Gender in Migration Studies (2006)F. Holland day and his ‘Classical’ models (1994)Modernist Re-Orientations: Imagining Homoerotic Desire in the "Nearly" Middle East (2010)Photographing Objects as Queer Archival Practice (2014)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 2012The Lesbian and Gay Studies Reader2,481 cited
  • 1978The Origin of German Tragic Drama1,102 cited
  • 1991Art after Modernism: Rethinking Representation505 cited
  • 1980The Allegorical Impulse: Toward a Theory of Postmodernism350 cited
  • 1982Another way of telling278 cited
  • 1997Male trouble: a crisis in representation133 cited
  • 1992Culture Wars : Documents from the Recent Controversies in the Arts126 cited
  • 1993The homoerotic photograph: male images from Durieu/Delacroix to Mapplethorpe69 cited
  • 1957The Nude: A Study in Ideal Form68 cited
  • 1989Fully Exposed: The Male Nude in Photography37 cited

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