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Film Festivals: From European Geopolitics to Global Cinephilia
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  • 2014Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports?130 cited
  • 2010Film festival research from an organizational studies perspective88 cited
  • 2014Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam74 cited
  • 2017The Price of Admission: Organizational Deference as Strategic Behavior49 cited
  • 2012Shakespeare and World Cinema38 cited
  • 2017Raum26 cited
  • 2014Theorizing art cinemas: foreign, cult, avant-garde, and beyond26 cited
  • 2016Trends in Cultural Journalism22 cited
  • 2012Aesthetic dislocations: A re-take on Malayalam cinema of the 1970s16 cited
  • 2009The de-Fusion of Good Intentions13 cited
  • 2018Indian Cinema Beyond Bollywood11 cited
  • 2014Segmentation and motivations of the attendees’ of the Mediaschool Festival in Łódź, Poland8 cited
  • 2021Iniciativas de educación cinematográfica en los festivales de cine de Iberoamérica (2005 - 2019)7 cited
  • 2012European Cinema and the Postheroic Narrative: Jean-Luc Nancy, Claire Denis, and Beau Travail6 cited

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2018
Exploring international film festivals from a co-evolutionary perspective: the cases of Berlin and Busan compared
5 cited
  • 2012Bridging the Gap: Film Festival Governance, Public Partners and the “Vexing” Problem Of Film Distribution5 cited