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Cited by

• 2015Feminisms42 cited
• 2007Transcending the Limitations: Women and the Post-revolutionary Iranian Cinema22 cited
• 2015Wang Ping and Women’s Cinema in Socialist China: Institutional Practice, Feminist Cultures, and Embedded Authorship17 cited
• 2016Women as film directors in Turkish cinema16 cited
• 2007In the Ruins of the Image15 cited
• 2019Making the invisible visible: Reclaiming women’s agency in Swedish film history and beyond13 cited
• 2007Translating Silences: A Cinematic Encounter with Incommensurable Difference12 cited
• 2018Genre, Authorship and Contemporary Women Filmmakers12 cited
• 2017Documenting the Domestic: Chantal Akerman's Experimental Autobiography as Archive9 cited
• 2021Gendering Turkish Action Films in the Post-2010 Period: “Hey boy, protect me and don’t cry!”8 cited
• 2022Women’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s films8 cited
• 2008Veiled Subjects: Shirin Neshat and Non-liberatory Agency7 cited
• 2020Haptic Visuality and Film Narration. Mapping New Women’s Cinema in Spain7 cited
• 2019The Cinema of Marguerite Duras6 cited