SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Development of British Colonial Film Policy, 1927–1939, with special reference to East and Central Africa
0 references·11 citing·40 second hop
The Development of British Colonial Film Policy, 1927–1939, with special reference to East and Central Africa (1979)The Development of British Colonial Film …Making Ahmad “Problem Conscious”: Educational Film and the Rural Lecture Caravan in 1930s British Malaya (2016)Making Ahmad “Problem Conscio…The transfer of European social policy concepts to tropical Africa, 1900–50: the example of maternal and child welfare (2014)The transfer of European soci…Entre infantilisation et répression coloniale (2012)Entre infantilisation et répr…INDIAN OCEAN WORLD CINEMA: VIEWING THE HISTORY OF RACE, DIASPORA AND NATIONALISM IN URBAN TANZANIA (2011)INDIAN OCEAN WORLD CINEMA: VI…Conversion on Screen: A Glimpse at Popular Islamic Imaginations in Northern Nigeria (2008)Conversion on Screen: A Glimp…“Tonight at the Empire” Cinema and urbanity in Zanzibar, 1920s to 1960s (2006)“Tonight at the Empire” Cinem…Watching Africans Watch Films: Theories of spectatorship in British Colonial Africa (2000)Watching Africans Watch Films…The Best of Both Worlds? Colonial Film Policy and Practice in Northern Rhodesia and Nyasaland (1993)The Best of Both Worlds? Colo…Africa on Film to 1940 (1987)Africa on Film to 1940The Cambridge History of Africa (1986)The Cambridge History of Afri…The Central African Film Unit's images of empire, 1948–1963 (1983)The Central African Film Unit…From exhibition to reception: reflections on the audience in film history (1990)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Popular Films and Colonial Audiences: The Movies in Northern Rhodesia (2001)Producing a World of Remains in Indian Ocean Africa: Discrepant Time, Melancholy Affect and the Subject of Transport in Capital Art Studio, Stone Town, Zanzibar (2016)A Modern History of Tanganyika (1979)Imperial leather: race, gender and sexuality in the colonial contest (1996)Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (1997)The politics of partnership (1963)A history of Zambia (1976)MAKING NORTHERN RHODESIA IMPERIAL: VARIATIONS ON A ROYAL THEME, 1924–1938 (1980)Community theatre and public health in Malawi (1989)Southern Rhodesian propaganda and education films for peasant farmers, 1948–1955 (1991)Journal of the Royal Society of Arts: 1852–1952 (1952)Curing their ills: colonial power and African illness (1992)The Panicking Audience?: Early cinema and the 'train effect' (1999)A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking (2011)Werner Herzog's African Sublime (2012)Questions of Cinema (1981)Psychoanalysis and Cinema (1982)The Imaginary Signifier: Psychoanalysis and the Cinema (1983)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Religion, Media, and the Public Sphere (2005)Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria (2013)Introduction (2017)Eco-intimacy and spirit exorcism in the Nigerian Sahel (2021)The history and social significance of motion pictures in South Africa, 1895-1940 (1972)British Cinema History (1983)The Cambridge History of Africa (1987)The Indian Ocean (2003)A Hundred Horizons (2015)The Foucault Reader (1984)Imperial Eyes: Travel Writing and Transculturation. (1993)Domination and the Arts of Resistance (2017)Early screen culture in colonial Hong Kong (1897–1907) (2019)Producing Malaya: The Photography of Carl A. Gibson-Hill (2019)Economic Development with Unlimited Supplies of Labour (1954)Slave-Raiders and Middlemen, Monopolists and Free-Traders: the supply of slaves for the Atlantic trade in Dahomeyc. 1715–1850 (1989)The “natural preserve of anthropologists”: social anthropology, scientific planning and development (1997)Crossing the line: 100 years of the North-West Uganda/South Sudan border (2009)The Invention of Tradition in Colonial Africa (2012)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2000Watching Africans Watch Films: Theories of spectatorship in British Colonial Africa52 cited
  • 1986The Cambridge History of Africa52 cited
  • 2008Conversion on Screen: A Glimpse at Popular Islamic Imaginations in Northern Nigeria46 cited
  • 2014The transfer of European social policy concepts to tropical Africa, 1900–50: the example of maternal and child welfare26 cited
  • 1993The Best of Both Worlds? Colonial Film Policy and Practice in Northern Rhodesia and Nyasaland18 cited
  • 2016Making Ahmad “Problem Conscious”: Educational Film and the Rural Lecture Caravan in 1930s British Malaya17 cited
  • 1983The Central African Film Unit's images of empire, 1948–196314 cited
  • 2006“Tonight at the Empire” Cinema and urbanity in Zanzibar, 1920s to 1960s13 cited
  • 1987Africa on Film to 194011 cited
  • 2011INDIAN OCEAN WORLD CINEMA: VIEWING THE HISTORY OF RACE, DIASPORA AND NATIONALISM IN URBAN TANZANIA8 cited
  • 2012Entre infantilisation et répression coloniale7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work