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Temporal integration of interactive technology in dance
9 references·11 citing·32 second hop
Temporal integration of interactive technology in dance (2011)Temporal integration of interactive techn…The choreographer's notebook (2011)The choreographer's notebookEvaluating longitudinal projects combining technology with temporal arts (2011)Evaluating longitudinal proje…Exploring the design space in technology-augmented dance (2010)Exploring the design space in…Movement-based interactive dance performance (2006)Movement-based interactive da…Mixing dance realities (2004)Mixing dance realitiesChoreographic Cognition (2003)Choreographic CognitionExplorations in Art and Technology (2002)Explorations in Art and Techn…Dance and Technology: A Pas de Deux for Post-humans (2000)Dance and Technology: A Pas d…To Dance is Human: A Theory of Nonverbal Communication (1979)To Dance is Human: A Theory o…"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)"Contradiction pushes me to i…Expanding the Design Space for Technology-Mediated Theatre Experiences (2021)Expanding the Design Space fo…Devising Interactive Theatre (2019)Devising Interactive TheatreTwenty Years of Creativity Research in Human-Computer Interaction (2018)Twenty Years of Creativity Re…Dusk (2017)DuskDesigning (Inter)Active Costumes for Professional Stages (2017)Designing (Inter)Active Costu…Interdisciplinary Collaborations in the Creation of Digital Dance and Performance: A Critical Examination (2016)Interdisciplinary Collaborati…The dress room (2014)The dress roomdanceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology (2014)danceroom Spectroscopy: At th…Viewpoints AI (2013)Viewpoints AIThe value of research in creativity and the arts (2013)The value of research in crea…Applications of computers to dance (2005)Interactions and systems for augmenting a live dance performance (2012)Integrating augmented reality to enhance expression, interaction & collaboration in live performances: A ballet dance case study (2014)EL Cine del Futuro: The Cinema of the Future (1992)Computers as Theatre (1993)Orchestrating a mixed reality performance (2001)Dance-inspired technology, technology-inspired dance (2012)Temporary Clusters and Communities of Practice in the Creative Economy: Festivals as Temporary Knowledge Networks (2016)Bio-Sensed and Embodied Participation in Interactive Performance (2017)THE ACT OF CREATION (1967)Language within our grasp (1998)Mirror neurons and the simulation theory of mind-reading (1998)Batting, Habit and Memory: The Embodied Mind and the Nature of Skill (2007)Applying Intelligence to the Reflexes: Embodied Skills and Habits between Dreyfus and Descartes (2011)Well-being : the foundations of hedonic psychology (1999)The Blank Slate: The Modern Denial of Human Nature (2002)The blank slate: the modern denial of human nature (2003)Preferred Reporting Items for Systematic Reviews and Meta-Analyses: The PRISMA Statement (2009)Preferred reporting items for systematic reviews and meta-analyses: the PRISMA Statement. (2009)Computing Inter-Rater Reliability for Observational Data: An Overview and Tutorial (2012)Supporting Creativity in Aged Care: Lessons from Group Singing, Music Therapy, and Immersive Virtual Reality Programs (2022)Creativity Supportive Ecosystems: A Framework for Understanding Function and Disruption in Online Art Worlds (2025)Reimagining Misuse as Creative Practice: Impressions and Implications of Usage Norms on Digital Artists (2025)The Social Construction of Data: Methodological Problems of Investigating Learning in the Zone of Proximal Development (1995)THE POLITICS AND POETICS OF DANCE (1998)Neurocognitive control in dance perception and performance (2012)The studio as laboratory: Combining creative practice and digital technology research (2005)On creative engagement (2006)Performance-Led Research in the Wild (2013)Linking Audience Physiology to Choreography (2022)Flipped Classroom Strategies for CS Education (2015)Dance and Choreography in HCI: A Two-Decade Retrospective (2021)
this work references cited by second hop

References

  • 1979To Dance is Human: A Theory of Nonverbal Communication279 cited
  • 2002Explorations in Art and Technology180 cited
  • 2011The choreographer's notebook81 cited
  • 2004Mixing dance realities64 cited
  • 2003Choreographic Cognition62 cited
  • 2006Movement-based interactive dance performance59 cited
  • 2000Dance and Technology: A Pas de Deux for Post-humans33 cited
  • 2010Exploring the design space in technology-augmented dance30 cited
  • 2011Evaluating longitudinal projects combining technology with temporal arts30 cited

Cited by

  • 2018Twenty Years of Creativity Research in Human-Computer Interaction111 cited
  • 2014danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology20 cited
  • 2023"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms19 cited
  • 2021Expanding the Design Space for Technology-Mediated Theatre Experiences17 cited
  • 2013The value of research in creativity and the arts16 cited
  • 2013Viewpoints AI11 cited
  • 2019

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Devising Interactive Theatre
11 cited
  • 2016Interdisciplinary Collaborations in the Creation of Digital Dance and Performance: A Critical Examination11 cited
  • 2014The dress room9 cited
  • 2017Designing (Inter)Active Costumes for Professional Stages8 cited
  • 2017Dusk6 cited