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Cited by

• 1999Surveillance of the worlds of tourism: Foucault and the eye-of-power243 cited
• 2007A typology of photographic representations for tourism: Depictions of groomed spaces184 cited
• 1999Oh say, can you see?: the semiotics of the military in Hawaii172 cited
• 1995History and Postmodernism68 cited
• 1998Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center55 cited
• 2008Hui Nalu, Beachboys, and the Surfing Boarder-lands of Hawai'i55 cited
• 1999Tourism as public culture: Horne's ideological commentary on the legerdemain of tourism51 cited
• 2009‘Tourism State’ Cultural Production: The Re-making of Nova Scotia44 cited
• 1999Picturing Hawai'i: The “Ideal” Native and the Origins of Tourism, 1880–191542 cited
• 2000Festival Mania, Tourism and Nation Building in Fiji: The Case of the Hibiscus Festival, 1956-197040 cited
• 2008Debt and the Transnationalization of Hawai'i35 cited
• 2012Underdeveloped Other in country-of-origin theory and practices35 cited
• 2012The Seductions of “Soft Power”: The Call for Multifronted Research Into the Articulative Reach of Tourism in China25 cited
• 2016Threads of Empire: Militourism and the Aloha Wear Industry in Hawai‘i