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“Everything Had to Change”: Nadia Boulanger's Translation of Modernism in the Rice Lecture Series, 1925
16 references·0 citing·30 second hop
“Everything Had to Change”: Nadia Boulanger's Translation of Modernism in the Rice Lecture Series, 1925 (2013)“Everything Had to Change”: Nadia Boulang…The Musical Work of Nadia Boulanger (2013)The Musical Work of Nadia Bou…Studying U.S. Music in the Twenty-First Century (2011)Studying U.S. Music in the Tw…Musical exoticism: images and reflections (2009)Musical exoticism: images and…Aaron Copland, Nadia Boulanger, and the Making of an "American" Composer (2007)Aaron Copland, Nadia Boulange…Making Music Modern (2000)Making Music ModernMaking music modern : New York in the 1920s (2000)Making music modern : New Yor…Cultivating Music in America: Women Patrons and Activists since 1860 (1999)Cultivating Music in America:…Cultivating music in America: women patrons and activists since 1860 (1998)Cultivating music in America:…Gender and the musical canon (1994)Gender and the musical canonGender and the Musical Canon (1994)Gender and the Musical CanonNadia Boulanger and the Salon of the Princesse de Polignac (1993)Nadia Boulanger and the Salon…Kafka: Toward a Minor Literature (1986)Kafka: Toward a Minor Literat…Nadia Boulanger: A Life in Music (1982)Nadia Boulanger: A Life in Mu…Stravinsky. The Composer and His Works (1981)Stravinsky. The Composer and …Stravinsky, The Composer and His Works (1967)Stravinsky, The Composer and …My Musical Life (1930)My Musical LifeExile's return : a literary odyssey of the 1920's (1956)The Machine in the Garden: Technology and the Pastoral Ideal in America (1965)After the Great Divide: Modernism, Mass Culture, Postmodernism (1987)The Cambridge History of American Music (1998)The Queer Composition of America's SoundGay Modernists, American Music, and National Identity (2004)The Cambridge History of Modernism (2017)The Cambridge Companion to Opera Studies (2012)Meaning construction in verbomusical environments: Conceptual disintegration and metonymy (2014)The Cambridge Companion to Film Music (2016)Music and the Skillful Listener (2013)Radical Musicking: Challenging Dominant Paradigms in Elementary Music Education (2014)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)After Adorno : rethinking music sociology (2003)Sounds of Power: An Overview of Musical Instruments and Gender (2008)Ida Rubinstein: A Twentieth-Century Cleopatra (1988)Music as Discourse (2008)Explaining Creativity (2023)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education (2021)Interrupting the symphony: unpacking the importance placed on classical concert experiences (2016)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)The Cambridge Stravinsky Encyclopedia (2021)Nonhuman Charisma (2007)Methodology of the Oppressed (2010)Assemblage and geography (2011)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)Big Ears (2008)In Havana and Paris: The Musical Activities of Alejo Carpentier (2008)
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References

  • 1986Kafka: Toward a Minor Literature2,542 cited
  • 2009Musical exoticism: images and reflections355 cited
  • 1994Gender and the Musical Canon225 cited
  • 1994Gender and the musical canon208 cited
  • 2000Making Music Modern202 cited
  • 1967Stravinsky, The Composer and His Works133 cited
  • 1998Cultivating music in America: women patrons and activists since 1860105 cited
  • 2000Making music modern : New York in the 1920s99 cited
  • 2013The Musical Work of Nadia Boulanger42 cited
  • 1999Cultivating Music in America: Women Patrons and Activists since 186034 cited
  • 1982Nadia Boulanger: A Life in Music27 cited
  • 1981Stravinsky. The Composer and His Works24 cited
  • 1993Nadia Boulanger and the Salon of the Princesse de Polignac22 cited
  • 2011Studying U.S. Music in the Twenty-First Century20 cited
  • 1930My Musical Life19 cited
  • 2007Aaron Copland, Nadia Boulanger, and the Making of an "American" Composer18 cited

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