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The Global Music Business as an Information Industry: Reinterpreting Economies of Culture
16 references·13 citing·33 second hop
The Global Music Business as an Information Industry: Reinterpreting Economies of Culture (1997)The Global Music Business as an Informati…Understanding Popular Music (2013)Understanding Popular MusicPopular Music and Society (1996)Popular Music and SocietyFlexibility, post-Fordism and the music industries (1996)Flexibility, post-Fordism and…Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music (1995)Where the Mystical Meets the …The Place of Music: [Introduction] (1995)The Place of Music: [Introduc…Popular music in geographical analyses (1995)Popular music in geographical…Geographies of Global Change (1995)Geographies of Global ChangeEconomies of Signs and Space. (1994)Economies of Signs and Space.Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…‘Sadeness’, Scorpions and single markets: national and transnational trends in European popular music (1992)‘Sadeness’, Scorpions and sin…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Geography of the information economy (1990)Geography of the information …The music industry and the `cultural imperialism' thesis (1986)The music industry and the `c…Art versus technology: the strange case of popular music (1986)Art versus technology: the st…The record industry: the growth of a mass medium (1983)The record industry: the grow…One for the Money: Politics and Popular Song (1983)One for the Money: Politics a…Female music entrepreneurs’ use of international social capital and digital technology (2024)Female music entrepreneurs’ u…Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Musical Geopolitics: Masculin…What are the concerns? Looking back on 15 years of research in cultural and creative industries (2016)What are the concerns? Lookin…The Cultural Product (2014)The Cultural ProductOn the Reproduction of the Musical Economy after the Internet (2014)On the Reproduction of the Mu…Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market (2007)Competitiveness, Local Produc…E-commerce Business Models for the Music Industry (2004)E-commerce Business Models fo…Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift (2003)Scary Monsters? Software Form…Behind the music. Profiting from Sound: A Systems Approach to the Dynamics of the Nordic Music Industry (2003)Behind the music. Profiting f…Les territoires de l’innovation : les réseaux de l’industrie de la musique en recomposition (2002)Les territoires de l’innovati…L’industrie de la musique en France : géographie économique d’un secteur en mutation (2002)L’industrie de la musique en …The geographies of services: new wine in old bottles (1999)The geographies of services: …El horizonte de la nueva geografía cultural (1999)El horizonte de la nueva geog…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)ARTISTIC LABOR MARKETS AND CAREERS (1999)Bourdieu, the media and cultural production (2006)The Condition of Postmodernity (2020)Popular Music and Communication. (1988)The Hidden Musicians: Music-Making in an English Town. (1990)Culture and Imperialism (1994)Beyond geography's visible worlds: a cultural politics of music (1997)The Cultural Economy of Cities (1997)Carnivals for elites? The cultural politics of arts festivals (1998)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The death of the social? Re-figuring the territory of government (1996)The teacher's soul and the terrors of performativity (2003)In the Social Factory? (2008)The Craft, Fashion, and Cultural-Products Industries of Los Angeles: Competitive Dynamics and Policy Dilemmas in a Multisectoral Image-Producing Complex (1996)Information technology influences on world class logistics capability (1997)Accessibility of cities in the digital economy (2012)Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical (1998)Home on the page: a virtual place of music community (2000)‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)Popular Culture as Oppositional Culture: Rap as Resistance (1997)The Cambridge History of American Music (1998)The musical field (2006)The Ordinary City (1997)Fences and neighbours in the postmodern world: boundary narratives in political geography (1998)On the Worlding of African Cities (2001)The management of projects and product experimentation: examples from the music industry (2005)Musical exploration via streaming services: The Norwegian experience (2016)The Cambridge History of Music Criticism (2019)
this work references cited by second hop

References

  • 1994Economies of Signs and Space.3,364 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1990Geography of the information economy264 cited
  • 1996Popular Music and Society256 cited
  • 1986Art versus technology: the strange case of popular music254 cited
  • 1995Geographies of Global Change250 cited
  • 1995Popular music in geographical analyses231 cited
  • 2013Understanding Popular Music163 cited
  • 1996Flexibility, post-Fordism and the music industries119 cited
  • 1983The record industry: the growth of a mass medium117 cited
  • 1995The Place of Music: [Introduction]92 cited
  • 1983One for the Money: Politics and Popular Song74 cited
  • 1992‘Sadeness’, Scorpions and single markets: national and transnational trends in European popular music71 cited
  • 1995Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music69 cited
  • 1986The music industry and the `cultural imperialism' thesis62 cited

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Cited by

  • 2004E-commerce Business Models for the Music Industry79 cited
  • 2003Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift68 cited
  • 2007Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market57 cited
  • 2016What are the concerns? Looking back on 15 years of research in cultural and creative industries36 cited
  • 2003Behind the music. Profiting from Sound: A Systems Approach to the Dynamics of the Nordic Music Industry19 cited
  • 1999The geographies of services: new wine in old bottles14 cited
  • 2014The Cultural Product9 cited
  • 2014On the Reproduction of the Musical Economy after the Internet9 cited
  • 2024Female music entrepreneurs’ use of international social capital and digital technology8 cited
  • 2002L’industrie de la musique en France : géographie économique d’un secteur en mutation7 cited
  • 2021Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006)5 cited
  • 1999El horizonte de la nueva geografía cultural5 cited
  • 2002Les territoires de l’innovation : les réseaux de l’industrie de la musique en recomposition4 cited