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Music in the Mind: The Concepts of Music and Musician in Afghanistan
0 references·16 citing·49 second hop
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Cited by

  • 2013Anthropologizing Afghanistan: Colonial and Postcolonial Encounters75 cited
  • 2005So Near, So Far: Kabul's Music in Exile36 cited
  • 2002Generational Change in Berber Women's Song of the Anti-Atlas Mountains, Morocco30 cited
  • 2006‘Music Is In Our Blood’: Gujarati Muslim Musicians in the UK19 cited
  • 2005Open Borders. Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy16 cited
  • 2012Caught between Heaven and Hell: The Morality of Music and Cosmologies of the Past in Persian Writings on Listening, c. 1040–c. 180014 cited
  • 2002Music as capital: Deputizing among London's freelance musicians112 cited
  • 2017Medium of the Oppressed: Folk Music, Forced Migration, and Tactical Media12 cited
  • 1995The Role of Music in Three British Muslim Communities10 cited
  • 2004Une anthropologie de la musique classique occidentale8 cited
  • 1990Hearts and Minds: Three Attitudes toward Performance Practice and Music Theory in the Yemen Arab Republic7 cited
  • 2011Chant du destin et identité nationale : la promotion du falak tadjik6 cited
  • 1996Using Tests of Sound Perception in Fieldwork6 cited
  • 2002Music as Capital: Deputising Among London’s Freelance Musicians

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3 cited
  • 1985Musicians Who Do Not Perform; Performers Who are Not Musicians: Indigenous Conceptions of being an Afghan Musician3 cited
  • 2014Musical Boundary-Work: Ethnomusicology, Symbolic Boundary Studies, and Music in the Afro-Gaucho Religious Community of Southern Brazil3 cited