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Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son
4 references·1 citing·12 second hop
Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son (2006)Forqueray Pieces de Viole (Paris, 1747): …Histoire du concert spirituel, 1725-1790 (1976)Histoire du concert spirituel…Essai Sur LA Musique Ancienne Et Moderne (1976)Essai Sur LA Musique Ancienne…La Basse de Viole du Temps de Marin Marais et d'Antoine Forqueray (1974)La Basse de Viole du Temps de…Grundlage einer Ehrenpforte (1969)Grundlage einer EhrenpfortePerformance and the Socialized Text (2011)Performance and the Socialize…Languages of Art (1968)Languages of Art (1976)A critique of modern textual criticism (1983)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)The orchestral revolution: Haydn and the technologies of timbre (2013)The Mechanisms of the Music Trade in Central Germany, 1600–40 (2005)Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women (2013)Rethinking Brahms (2022)The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890 (1988)Aux origines d’une discipline historique (1993)Using Diverse Sources of Evidence for Reconstructing the Past History of Musical Exchanges in the Indian Ocean (2014)
this work references cited by second hop

References

  • 1976Histoire du concert spirituel, 1725-1790130 cited
  • 1969Grundlage einer Ehrenpforte70 cited
  • 1976Essai Sur LA Musique Ancienne Et Moderne55 cited
  • 1974La Basse de Viole du Temps de Marin Marais et d'Antoine Forqueray7 cited

Cited by

  • 2011Performance and the Socialized Text7 cited

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