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Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene
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References

  • 1985A Theory of Parody: The Teachings of Twentieth-Century Art Forms769 cited
  • 2017Performance: A Critical Introduction722 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1974The Composer's Voice387 cited
  • 2000Musical Composition in the Twentieth Century145 cited
  • 2003A Short History of Opera90 cited
  • 1987The New Music: The Avant-garde since 194571 cited
  • 1998Performance : live art since 196068 cited
  • 1994Music since the First World War65 cited
  • 1995Opera in Seventeenth-Century Venice. The Creation of a Genre55 cited
  • 1974Beyond Genre: New Directions in Literary Classification44 cited
  • 1987Playing on Words: A Guide to Luciano Berio's Sinfonia39 cited
  • 2003Exploring twentieth-century vocal music: a practical guide to innovations in performance and repertoire33 cited
  • 1985Luciano Berio: Two Interviews with Rossana Dalmonte and Balint Andras Varga21 cited
  • 1985Alternative Voices. Essays on Contemporary Vocal and Choral Composition19 cited
  • 1981Text, Music, and Meaning in the Third Movement of Luciano Berio's Sinfonia

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