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African Art: The Years Since 1920
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African Art: The Years Since 1920 (1974)African Art: The Years Since 1920Transforming Art from Commodity to Gift: karî’kachä seid'ou's Silent Revolution in the Kumasi College of Art (2021)Transforming Art from Commodi…CURATORIAL NETWORKS AND MUSEUM CULTURE: Objects and Evidence in Museums of African Art (2020)CURATORIAL NETWORKS AND MUSEU…Socio-Psychological Impact of Outdoor Sculptures in Nigeria Urban Cities (2016)Socio-Psychological Impact of…Antecedence and Morphology of Garden Sculpture in Nigerian Art Schools (2013)Antecedence and Morphology of…Exhibiting Ghana: Display, Documentary, and "National" Art in the Nkrumah Era (2001)Exhibiting Ghana: Display, Do…‘Making names’: The cutting edge renewal of African art in New York City, 1985–1996 (2001)‘Making names’: The cutting e…Pottery and Progress: Traditional and Contemporary Pottery in Vume, Ghana (1999)Pottery and Progress: Traditi…Africa, art criticism and the big commentary (1997)Africa, art criticism and the…THE MODERNIST EXPERIENCE IN AFRICAN ART: VISUAL EXPRESSIONS OF THE SELF AND CROSS-CULTURAL AESTHETICS (1995)THE MODERNIST EXPERIENCE IN A…Tourist arts in Africa before tourism (1993)Tourist arts in Africa before…Art, History, and Society: Popular Painting in Shaba, Zaire (1976)Art, History, and Society: Po…African Sculpture Speaks (1977)Primitivism in Modern Art (1986)Laterite as a material for ceramic art tile finishing (2017)Contemporary Art in Africa (1972)The Invention of Tradition (1986)Popular Arts in Africa (1987)A response: African contemporary dance? Questioning issues of a performance aesthetic for a developing continent (2006)Constructing artworks. Issues of authorship and articulation around Seydou Keïta’s Photographs (2008)Yoruba Art and Language: Seeking the African in African Art (2017)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Culture in Action: Symbols and Strategies (1986)A general theory of artistic legitimation: How art worlds are like social movements (2006)Regionalism and the Publishing Class: Conflicted Isomorphism and Negotiated Identity in a Nested Field of American Publishing (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Expert Critics, Rankings, and Review Aggregators: The Changing Nature of Intermediation and the Rise of Markets with Multiple Intermediaries (2022)The Field of Cultural Production (1994)A postcolonial reading of mural art in South Africa (2000)Rhétorique de l'image (1964)Politics in Congo (1965)Popular Culture in Africa: Findings and Conjectures (1978)Painting and Experience in Fifteenth Century Italy. (1996)Residing in Kinshasa: Between Colonial Modernization and Globalization (2008)Introduction générale. Le maintien de l’ordre dans l’empire français : une historiographie émergente (2012)Time and the Other: How Anthropology Makes Its Object (1983)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Philosophy and the Mirror of Nature (2008)40: THE JOURNAL FOR CONTEMPORARY HISTORY, 1975 – 2015 (2016)Paul Strand's Ghana and Photography after Colonialism (2016)THE The Heritage of Ghanaian Traditional Furniture Culture (2021)The Tourist: A New Theory of the Leisure Class. (1977)The Tourist: A New Theory of the Leisure Class. (1977)The Predicament of Culture (1988)Art in Development: A Nigerian Perspective (1983)Seven stories about modern art in Africa (1996)Psychology: The science of mind and behaviour, 4th ed. (2001)Space and House Form: Teaching Cultural Significance to Nigerian Students (1981)Psychology: The Science of Mind and Behaviour (1987)Psychology: The Science of Mind and Behaviour (2012)The inoperative community (1990)The ignorant schoolmaster : five lessons in intellectual emancipation (1991)From The Emancipated Spectator (2025)
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Cited by

  • 1976Art, History, and Society: Popular Painting in Shaba, Zaire67 cited
  • 2001Exhibiting Ghana: Display, Documentary, and "National" Art in the Nkrumah Era59 cited
  • 1995THE MODERNIST EXPERIENCE IN AFRICAN ART: VISUAL EXPRESSIONS OF THE SELF AND CROSS-CULTURAL AESTHETICS31 cited
  • 1993Tourist arts in Africa before tourism23 cited
  • 2001‘Making names’: The cutting edge renewal of African art in New York City, 1985–199619 cited
  • 1997Africa, art criticism and the big commentary14 cited
  • 2021Transforming Art from Commodity to Gift: karî’kachä seid'ou's Silent Revolution in the Kumasi College of Art5 cited
  • 2013Antecedence and Morphology of Garden Sculpture in Nigerian Art Schools4 cited
  • 1999Pottery and Progress: Traditional and Contemporary Pottery in Vume, Ghana3 cited
  • 2016Socio-Psychological Impact of Outdoor Sculptures in Nigeria Urban Cities3 cited
  • 2020CURATORIAL NETWORKS AND MUSEUM CULTURE: Objects and Evidence in Museums of African Art2 cited

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