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Comment on Huron and Veltman: Does a Cognitive Approach to Medieval Mode Make Sense?
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Comment on Huron and Veltman: Does a Cognitive Approach to Medieval Mode Make Sense? (2006)Comment on Huron and Veltman: Does a Cogn…A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System (2006)A Cognitive Approach to Medie…The Language of the Modes: Studies in the History of Polyphonic Modality (1995)The Language of the Modes: St…Modal representation in polyphonic offertories (1982)Modal representation in polyp…Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina (1966)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Die Musik in Geschichte und Gegenwart (1989)Renaissance modal theory: theoretical, compositional, and editorial perspectives (2002)Giovanni Maria Bononcini and the Uses of the Modes (2008)Renaissance modal theory: theoretical, compositional, and editorial perspectives (2017)Multidimensional Scaling: I. Theory and Method (1952)Introduction to Phonology (1989)Statistical learning of tone sequences by human infants and adults (1999)Modes on the Move: Interval Cycles and the Emergence of Major-Minor Tonality (2010)Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019)Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music (2021)Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony (2018)The Requiem of Tomás Luis de Victoria (1603) (2019)Tonality (2023)
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References

  • 1995The Language of the Modes: Studies in the History of Polyphonic Modality39 cited
  • 2006A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System21 cited
  • 1982Modal representation in polyphonic offertories18 cited

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