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Dvořák's Reception in Liberal Vienna: Language Ordinances, National Property, and the Rhetoric of Deutschtum
5 references·10 citing·21 second hop
Dvořák's Reception in Liberal Vienna: Language Ordinances, National Property, and the Rhetoric of Deutschtum (2007)Dvořák's Reception in Liberal Vienna: Lan…Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (2006)Lateness and Brahms: Music an…Bruckner in Vienna (2004)Bruckner in ViennaMusic Criticism in Vienna, 1896-1897: Critically Moving Forms (1996)Music Criticism in Vienna, 18…Music Criticism in Vienna 1896-1897 (1996)Music Criticism in Vienna 189…Exclusive Revolutionaries (1996)Exclusive RevolutionariesThe Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity (2014)The Legacy of Johann Strauss:…Tonal strategies in the nineteenth-century symphony (2013)Tonal strategies in the ninet…The symphony since Mahler: national and international trends (2013)The symphony since Mahler: na…The symphony in Britain: guardianship and renewal (2013)The symphony in Britain: guar…The Cambridge Companion to the Symphony (2013)The Cambridge Companion to th…Other classical repertories (2013)Other classical repertoriesIntroduction: understanding the symphony (2013)Introduction: understanding t…Harmonies and effects: Haydn and Mozart in parallel (2013)Harmonies and effects: Haydn …Cyclical thematic processes in the nineteenth-century symphony (2013)Cyclical thematic processes i…Beethoven’s shadow: the nineteenth century (2013)Beethoven’s shadow: the ninet…The Anxiety of Influence: A Theory of Poetry (1974)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The New Grove dictionary of music and musicians (2001)History and geography: the early orchestral works and the first three symphonies (2013)Introduction to the Sociology of Music. (1977)The birth of tragedy ; and, The case of Wagner (1967)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Music and the racial imagination (2000)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)The Viennese symphony 1750 to 1827 (2013)The Formal Ramifications of Bruckner's Bipartite Sonata Form (2018)Environmentalism and Postcolonialism (2005)Postcolonial Studies and the Study of History (2005)The Cambridge History of Music Criticism (2019)How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45 (1998)Music, Letters and National Identity: Reading the 1890s' Italian Music Press (2010)Writing about Popular Music (2019)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Max Kalbeck and Gustav Mahler (1996)Music and the Agents of Obsession (2016)
this work references cited by second hop

References

  • 1996Exclusive Revolutionaries179 cited
  • 2006Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism143 cited
  • 1996Music Criticism in Vienna, 1896-1897: Critically Moving Forms80 cited
  • 1996Music Criticism in Vienna 1896-189776 cited
  • 2004Bruckner in Vienna57 cited

Cited by

  • 2013The Cambridge Companion to the Symphony22 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2014The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity3 cited
  • 2013Introduction: understanding the symphony3 cited
  • 2013Beethoven’s shadow: the nineteenth century3 cited
  • 2013The symphony since Mahler: national and international trends2 cited
  • 2013Harmonies and effects: Haydn and Mozart in parallel2 cited
  • 2013Tonal strategies in the nineteenth-century symphony2 cited

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