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"White Man's Book No Good": D. W. Griffith and the American Indian
11 references·3 citing·30 second hop
"White Man's Book No Good": D. W. Griffith and the American Indian (2000)"White Man's Book No Good": D. W. Griffit…Hollywood's Indian: The Portrayal of the Native American in Film. (1999)Hollywood's Indian: The Portr…The Birth of whiteness: race and the emergence of U.S. cinema (1997)The Birth of whiteness: race …Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)Blackface, White Noise: Jewis…Unthinking Eurocentrism: Multiculturalism and the Media (1996)Unthinking Eurocentrism: Mult…The next American nation: the new nationalism and the fourth American revolution (1995)The next American nation: the…D.W. Griffith and the origins of American narrative film: the early years at Biograph (1991)D.W. Griffith and the origins…D.W. Griffith: An American Life (1984)D.W. Griffith: An American Li…The Pretend Indians : images of native Americans in the movies (1980)The Pretend Indians : images …The War, the West, and the Wilderness (1979)The War, the West, and the Wi…Slow Fade to Black: The Negro in American Film, 1900-1942 (1977)Slow Fade to Black: The Negro…The Only Good Indian... The Hollywood Gospel (1975)The Only Good Indian... The H…The Hollywood Indian Stereotype: The Cinematic Othering and Assimilation of Native Americans at the Turn of the 20th Century (2020)The Hollywood Indian Stereoty…“The Cross-Heart People”: Race and Inheritance in the Silent Western (2003)“The Cross-Heart People”: Rac…American Nationhood as Eugenic Romance (2001)American Nationhood as Eugeni…Reputation Building and the Film Art World: The Case of Alfred Hitchcock (1989)"Made for the Masses with an Appeal to the Classes": The Triangle Film Corporation and the Failure of Highbrow Film Culture (2005)Birth of a Quotation: Woodrow Wilson and “Like Writing History with Lightning” (2010)The age of extremes: Concentrated affluence and poverty in the twenty-first century (1996)Rethinking assimilation theory for a new era of immigration. (1997)In the name of the nation: reflections on nationalism and patriotism1 (2004)Spectral Times: The Ghost Film As Historical Allegory (2001)Lois Weber, Progressive Cinema, and the Fate of “The Work-a-Day Girl” in Shoes (2004)Engaging Characters (2022)Rethinking diversity: Hybridity and hybrid language practices in the third space (1999)Rethinking Critical Theory and Qualitative Research (2011)Critical Discourse Analysis (2015)Folklore Studies and Popular Film and Television: A Necessary Critical Survey (2003)Playing Indian at Halftime: The Controversy over American Indian Mascots, Logos, and Nicknames in School-Related Events (2004)High Stakes Stereotypes: The Emergence of the “Casino Indian” Trope in Television Depictions of Contemporary Native Americans (2011)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Kids: Language, Race, and Styles of Youth Identity (2010)Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film1 (2011)The Whiteness of Film Noir (1997)Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies (2002)Are wildlife films really “nature documentaries”? (1998)Authenticity on the Ground: Engaging the Past in a California Ghost Town (1999)Memory and popular film (2003)Protest Against The Use of Native American Mascots: a Challenge to Traditional American Identity (1993)Imperfect Media and the Poetics of Indigenous Video in Latin America (2008)Indigenous Peoples and Black People in Canada: Settlers or Allies? (2009)The development of a perceived masculinity scale (2001)The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive (2005)Cinethetic Racism: White Redemption and Black Stereotypes in "Magical Negro" Films (2009)
this work references cited by second hop

References

  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.347 cited
  • 1991D.W. Griffith and the origins of American narrative film: the early years at Biograph269 cited
  • 1977Slow Fade to Black: The Negro in American Film, 1900-1942204 cited
  • 1979The War, the West, and the Wilderness167 cited
  • 1997The Birth of whiteness: race and the emergence of U.S. cinema164 cited
  • 1995The next American nation: the new nationalism and the fourth American revolution161 cited
  • 1980The Pretend Indians : images of native Americans in the movies106 cited
  • 1999Hollywood's Indian: The Portrayal of the Native American in Film.82 cited
  • 1984D.W. Griffith: An American Life61 cited
  • 1975The Only Good Indian... The Hollywood Gospel40 cited

Cited by

  • 2003“The Cross-Heart People”: Race and Inheritance in the Silent Western28 cited
  • 2020The Hollywood Indian Stereotype: The Cinematic Othering and Assimilation of Native Americans at the Turn of the 20th Century8 cited
  • 2001American Nationhood as Eugenic Romance6 cited

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