O olhar moderno e o efeito de estranheza

Abstract

This paper focuses on a specific characteristic of the modern photograph, the strangeness effect. It seeks to retrace the paths taken since it was incorporated in the photograph, becoming a remarkable aesthetic feature to Russian and German vanguards of the interwar, until it was fully established as part of a modern visual lexicon. At the same time, its progressive loss of political intention as it was incorporated in the visual culture during the second half of the 20 th century is stressed.

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