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Engineering the Performance
11 references·16 citing·36 second hop
Engineering the Performance (2004)Engineering the PerformanceGolden Ears and Meter Readers (2004)Golden Ears and Meter ReadersTacit Knowledge in Professional Practice (1999)Tacit Knowledge in Profession…Working Knowledge: Skill and Community in a Small Shop (1989)Working Knowledge: Skill and …Working Knowledge: Skill and Community in a Small Shop. (1988)Working Knowledge: Skill and …Changing Order: Replication and Induction in Scientific Practice (1988)Changing Order: Replication a…Changing order: Replication and induction in scientific practice (1987)Changing order: Replication a…From Craft to Art (1979)From Craft to ArtFrom Tin Foil to Stereo: Evolution of the Phonograph (1977)From Tin Foil to Stereo: Evol…The TEA Set: Tacit Knowledge and Scientific Networks (1974)The TEA Set: Tacit Knowledge …Scientific Knowledge and Its Social Problems (1972)Scientific Knowledge and Its …Personal Knowledge: Towards a Post-Critical Philosophy (1959)Personal Knowledge: Towards a…What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers (2022)What is “Heavy” in Metal? A N…A Social Science Research Agenda for Engineering Practice (2022)A Social Science Research Age…Towards an Expanded Conception of Publication Bias (2020)Towards an Expanded Conceptio…Making Voices (2019)Making VoicesListening (2015)ListeningReactions to Analog Fetishism in Sound-Recording Cultures (2014)Reactions to Analog Fetishism…The precarious double life of the recording engineer (2013)The precarious double life of…The impact of technological advances on recording studio practices (2013)The impact of technological a…The Poetics of Signal Processing (2011)The Poetics of Signal Process…Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey (2010)Mixing for Parlak and Bowing …The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)The Software Slump?: Digital …Spaces and Networks of Musical Creativity in the City (2009)Spaces and Networks of Musica…Sound, technology, and interpretation in subcultures of heavy music production (2008)Sound, technology, and interp…Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio (2008)Glenn Gould, the Vanishing Pe…The Sociology of Music (2007)The Sociology of MusicCalifornia Noise (2004)California NoiseCycles in Symbol Production: The Case of Popular Music (1975)Arts and Crafts (1978)Role as Resource in the Hollywood Film Industry (1991)ARTISTIC LABOR MARKETS AND CAREERS (1999)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Managed Heart: Commercialization of Human Feeling (1984)Code and Other Laws of Cyberspace (1999)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Music Scenes to Music Clusters: The Economic Geography of Music in the US, 1970–2000 (2010)A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)Cultural Intermediaries in the Digital Age: The Case of Independent Musicians and Managers in Toronto (2013)The Quest for Certainty: A Study of the Relation of Knowledge and Action. (1930)Personal Knowledge: Towards a Post-Critical Philosophy (1961)The Essential Tension: Selected Studies in Scientific Tradition and Change (1978)Working relations of technology production and use (1993)Against Reflexivity as an Academic Virtue and Source of Privileged Knowledge (2000)Tacit Knowledge, Innovation and Economic Geography (2002)The Collapse of Sensemaking in Organizations: The Mann Gulch Disaster (1993)Making knowledge the basis of a dynamic theory of the firm (1996)Creating Something from Nothing: Resource Construction through Entrepreneurial Bricolage (2005)Telling more than we can know: Verbal reports on mental processes. (1977)Review : Knowledge Management and Knowledge Management Systems: Conceptual Foundations And Research Issues1,2 (2001)Firm resources and sustained competitive advantage (2004)Motivation and barriers to participation in virtual knowledge‐sharing communities of practice (2003)From “Pure” to “Hybrid” Professionalism (2007)Formative Assessment: Assessment Is for Self-regulated Learning (2012)Rhetoric of Economics (1998)A Sociology of Expectations: Retrospecting Prospects and Prospecting Retrospects (2003)Auditing and the production of legitimacy (2003)The Strength of Weak Ties: A Network Theory Revisited (1983)What is research collaboration? (1997)The Third Wave of Science Studies (2002)Science for the post-normal age (1993)Toward a new economics of science (1994)Replication and Theory Development in Organizational Science: A Critical Realist Perspective (1999)Social Bricolage: Theorizing Social Value Creation in Social Enterprises (2010)
this work references cited by second hop

References

  • 1959Personal Knowledge: Towards a Post-Critical Philosophy7,900 cited
  • 1988Changing Order: Replication and Induction in Scientific Practice1,280 cited
  • 1987Changing order: Replication and induction in scientific practice1,114 cited
  • 1972Scientific Knowledge and Its Social Problems696 cited
  • 1974The TEA Set: Tacit Knowledge and Scientific Networks637 cited
  • 1999Tacit Knowledge in Professional Practice517 cited
  • 1988Working Knowledge: Skill and Community in a Small Shop.288 cited
  • 1989Working Knowledge: Skill and Community in a Small Shop275 cited
  • 1979From Craft to Art190 cited
  • 1977From Tin Foil to Stereo: Evolution of the Phonograph149 cited
  • 2004Golden Ears and Meter Readers102 cited

Cited by

  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2004California Noise73 cited
  • 2009Spaces and Networks of Musical Creativity in the City70 cited
  • 2013The impact of technological advances on recording studio practices45 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2015
Listening
42 cited
  • 2019Making Voices39 cited
  • 2011The Poetics of Signal Processing38 cited
  • 2008Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio37 cited
  • 2022What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers22 cited
  • 2010Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey21 cited
  • 2014Reactions to Analog Fetishism in Sound-Recording Cultures19 cited
  • 2007The Sociology of Music13 cited
  • 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
  • 2013The precarious double life of the recording engineer7 cited
  • 2020Towards an Expanded Conception of Publication Bias7 cited
  • 2022A Social Science Research Agenda for Engineering Practice5 cited