SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Women Making Music: The Western Art Tradition, 1150-1950
0 references·16 citing·52 second hop
Women Making Music: The Western Art Tradition, 1150-1950 (1988)Women Making Music: The Western Art Tradi…The Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Musical Communities: Rethinking the Collective in Music (2011)Musical Communities: Rethinki…Sounds of Power: An Overview of Musical Instruments and Gender (2008)Sounds of Power: An Overview …I Sing In A Choir But I Have "No Voice!" (2005)I Sing In A Choir But I Have …Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance (2002)Performance at the Nexus of G…Performing for Strangers: Women, Dance, and Music in Quattrocento Florence (2001)Performing for Strangers: Wom…Sonorous Bodies: Women and the Glass Harmonica (2000)Sonorous Bodies: Women and th…Una "Virtù Molto Conveniente A Madonne": Isabella D'este as a Musician (1999)Una "Virtù Molto Conveniente …Scenes from the life of Silvia Gailarti Manni, a seventeenth-centuryvirtuosa (1996)Scenes from the life of Silvi…Music, Gender and Education A Report on Some Exploratory Research (1993)Music, Gender and Education A…Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy (1993)Gendering Modern Music: Thoug…Everyday Creativity, Eminent Creativity, and Pscyhopathology (1993)Everyday Creativity, Eminent …Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)Parisian nobles, a Scottish p…Games of Venus: Secular Vocal Music in the Late Quattrocento and Early Cinquecento (1991)Games of Venus: Secular Vocal…Gender, Professionalism and the Musical Canon (1990)Gender, Professionalism and t…"Sing Againe Syren": The Female Musician and Sexual Enchantment in Elizabethan Life and Literature (1989)"Sing Againe Syren": The Fema…The Mind's Best Work (1981)The influence of affect on categorization. (1984)Positive affect facilitates creative problem solving. (1987)Beyond Piaget: Accepting divergent, chaotic, and creative thought (1996)I'm creative, but am I creative? Similarities and differences between self-evaluated small and big-C creativity in Poland. (2009)The Social Life of Things (1986)Gender Trouble: Feminism and the Subversion of Identity (1991)Art And Agency (1998)Resistance or Reiteration? Rethinking Gender in DJ Cultures (2016)Street Queens: New Orleans Brass Bands and the Problem of Intersectionality (2017)Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras (2019)Giornale storico della letteratura italiana (1897)Dizionario biografico degli italiani (1960)The New Grove dictionary of music and musicians (2001)Vocal performance in the seventeenth century (2012)Women and Music in Sixteenth-Century Ferrara (2018)Gender and the Politics of History (1988)Body guards : the cultural politics of gender ambiguity (1989)Feminine Endings: Music, Gender, and Sexuality (1992)Of women, sex and folly: Opera under the Old Regime (1994)Why Voice Now? (2015)College Music Symposium (1962)The new feminist criticism: essays on women, literature and theory (1985)Contemplating Music: Challenges to Musicology (1989)Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status (2018)The Cambridge History of Music Criticism (2019)Music information visualization and classical composers discovery: an application of network graphs, multidimensional scaling, and support vector machines (2022)Mesmerism and the End of the Enlightenment in France (1968)Die Musik in Geschichte und Gegenwart (1989)The Sight of Sound: Music Representation and the History of the Body (1994)Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont (2006)Music as Feminine Capital in Napoleonic France: Nancy Macdonald’s Musical Upbringing (2019)How the sheng became a harp (2020)The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. (1980)Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women (1989)Women and Music (1992)Singing Through the Looking Glass: Child's Play and Learning in Medieval Italy (2008)Renaissance Polyphony (2020)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)Music as social life: the politics of participation (2009)Evolutionary Categories and Musical Style from Adler to America (2014)Effects on Inter-Personal Memory of Dancing in Time with Others (2016)How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps (2016)Essentially Speaking: Feminism, Nature & Difference (1991)The Sounds of Silence: Talking Race in Music Education. (2007)Boys’ descriptions of their experiences in choral music (2009)Class, Control, and Classical Music (2019)Spiritual and Demonic Magic: From Ficino to Campanella (1958)The Renaissance Notion of Woman (1980)Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620 (1985)‘Art to Enchant’: Musical Magic and its Practitioners in English Renaissance Drama (1990)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011Musical Communities: Rethinking the Collective in Music169 cited
  • 2008Sounds of Power: An Overview of Musical Instruments and Gender145 cited
  • 1999Una "Virtù Molto Conveniente A Madonne": Isabella D'este as a Musician127 cited
  • 1990Gender, Professionalism and the Musical Canon120 cited
  • 1989"Sing Againe Syren": The Female Musician and Sexual Enchantment in Elizabethan Life and Literature110 cited
  • 1991Parisian nobles, a Scottish princess, and the woman's voice in late medieval song84 cited
  • 2005I Sing In A Choir But I Have "No Voice!"79 cited
  • 1993Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy60 cited
  • 1993Everyday Creativity, Eminent Creativity, and Pscyhopathology55 cited
  • 2000Sonorous Bodies: Women and the Glass Harmonica54 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 1993Music, Gender and Education A Report on Some Exploratory Research49 cited
  • 2001Performing for Strangers: Women, Dance, and Music in Quattrocento Florence47 cited
  • 2002Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

46 cited
  • 1996Scenes from the life of Silvia Gailarti Manni, a seventeenth-centuryvirtuosa40 cited
  • 1991Games of Venus: Secular Vocal Music in the Late Quattrocento and Early Cinquecento40 cited