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Black, Brown and Beige and the politics of Signifyin(g)
11 references·4 citing·31 second hop
Black, Brown and Beige and the politics of Signifyin(g) (2007)Black, Brown and Beige and the politics o…Western Music and Its Others (2001)Western Music and Its OthersUsing Foucault's Methods (1999)Using Foucault's MethodsThe power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…Beyond category: the life and genius of Duke Ellington (1994)Beyond category: the life and…The Genesis of "Black, Brown and Beige" (1993)The Genesis of "Black, Brown …The Duke Ellington Reader (1993)The Duke Ellington Reader"Black, Brown and Beige" and the Critics (1993)"Black, Brown and Beige" and …Cultural Dialogics and Jazz: A White Historian Signifies (1991)Cultural Dialogics and Jazz: …Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Modernism and the Harlem Renaissance (1987)Modernism and the Harlem Rena…The land of suites: Ellington and extended form (2014)The land of suites: Ellington…Ellington’s Afro-Modernist vision in the 1920s (2014)Ellington’s Afro-Modernist vi…Conductor of music and men: Duke Ellington through the eyes of his nephew (2014)Conductor of music and men: D…“Seldom seen, but always heard”: Billy Strayhorn and Duke Ellington (2014)“Seldom seen, but always hear…Lexicon of Musical Invective; Critical Assaults on Composers Since Beethoven's Time (1953)The Zoot-Suit and Style Warfare (1984)Understanding Toscanini: How He Became An American Culture-God And Helped Create A New Audience For Old Music (1987)The Literary Ellington (2002)The Cambridge Companion to Duke Ellington (2014)Duke Ellington and Black, Brown, and Beige : The Composer as Historian at Carnegie Hall (2004)Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing (2008)An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene (2010)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)Power in Global Governance (2004)Early Modern Ottoman Coffeehouse Culture and the Formation of the Consumer Subject (2010)Foucauldian Discourse Analysis (2017)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Collective Identity and the Burden of “Acting White” in Black History, Community, and Education (2004)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Jazz Among the Discourses (1995)The Rise of a Jazz Art World (2002)Uptown Conversation (2004)Is anybody listening? (2003)Marxist music analysis without Adorno: popular music and urban geography (2003)Bob Dylan and Jimi Hendrix: Juxtaposition and Transformation "All along the Watchtower" (2004)The Cambridge History of American Music (1998)Specters of Democracy (2011)Loving Music Till It Hurts (2019)Sensemaking and sensegiving stories of jazz leadership (2012)The Cambridge History of Music Criticism (2019)Belonging and detachment (2002)Vernacular culture and the place of folk music (2005)John Cage in Separate Togetherness with Jazz (2012)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1987Modernism and the Harlem Renaissance967 cited
  • 1999Using Foucault's Methods853 cited
  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 1991Constructing the Jazz Tradition: Jazz Historiography368 cited
  • 1993The Duke Ellington Reader164 cited
  • 1994Beyond category: the life and genius of Duke Ellington137 cited
  • 2001Western Music and Its Others127 cited
  • 1991Cultural Dialogics and Jazz: A White Historian Signifies56 cited
  • 1993"Black, Brown and Beige" and the Critics45 cited
  • 1993The Genesis of "Black, Brown and Beige"44 cited

Cited by

  • 2014The land of suites: Ellington and extended form3 cited
  • 2014“Seldom seen, but always heard”: Billy Strayhorn and Duke Ellington2 cited
  • 2014Conductor of music and men: Duke Ellington through the eyes of his nephew2 cited
  • 2014Ellington’s Afro-Modernist vision in the 1920s2 cited

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