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Géricault, the Panorama, and Sites of Reality in the Early Nineteenth Century
0 references·16 citing·37 second hop
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  • 2005Cellular Features: Microcinematography and Film Theory72 cited
  • 2020Serial Forms35 cited
  • 2008Penetrating the peristrephic: An unwritten chapter in the history of the panorama29 cited
  • 2017The Flying Dutchman, English Spectacle and the Remediation of Grand Opera21 cited
  • 2019(W)holes – Volume, horizon, surface – Three intimate geologies18 cited
  • 2012Iconic Rituals: Towards a Social Theory of Encountering Images17 cited
  • 2007The Cinema as Taxidermy: Carl Akeley and the Preservative Obsession16 cited
  • 2013Another history of museums: from the discourse to the museum-piece15 cited
  • 2016The Phantasmagoric Dispositif: An Assembly of Bodies and Images in Real Time and Space13 cited
  • 2021Circulation and Control13 cited
  • 2012Virtual reality and subjective responses: Narrating the search for the Franklin expedition through Robert Burford’s panorama6 cited
  • 2017Beyond the visual: panoramatic attractions in the 1900 World’s Fair6 cited
  • 2009Counting on the Unexpected: Aimé Civiale's Mountain Photography4 cited
  • 202114. ‘Photography VS the Press’2 cited
  • 2015

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The Tiger and the Daguerreotype: Early Photography and Sovereignty in Post-Revolutionary Latin America
2 cited
  • 2020A critical approach to Pastime Park (1893-1914) as an exhibitionary and dreamworld complex1 cited