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Multicasting (2013)MulticastingMedia Industries: History, Theory and Method (2009)Media Industries: History, Th…Critical Media Industry Studies: A Research Approach (2009)Critical Media Industry Studi…The television will be revolutionized (2006)The television will be revolu…Breaking Up America (1997)Breaking Up AmericaLogics of television: essays in cultural criticism (1991)Logics of television: essays …Gay the right way? Roles and routines of Irish media production among gay and lesbian workers (2020)Gay the right way? Roles and …Camping it up and toning it down: gay and lesbian sexual identity in media work (2020)Camping it up and toning it d…‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms (2020)‘Queering’ TV, one character …Introduction: What Is Queer Production Studies/Why Is Queer Production Studies? (2018)Introduction: What Is Queer P…“Openness through Sound”: Dualcasting on Irish LGBT Radio (2018)“Openness through Sound”: Dua…Identity modulation in networked publics: Queer women's participation and representation on Tinder, Instagram, and Vine (2017)Identity modulation in networ…Feeling Normal: Sexuality and Media Criticism in the Digital Age (2017)Feeling Normal: Sexuality and…Bowling alone: the collapse and revival of American community (2000)Television And Everyday Life (2003)Consuming music together : social and collaborative aspects of music consumption technologies (2006)Consuming video on mobile devices (2007)TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition (2015)Rethinking International TV Flows Research in the Age of Netflix (2017)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)The consequences of modernity (1990)Are we all cultural intermediaries now? An introduction to cultural intermediaries in context (2012)House of Netflix: Streaming media and digital lore (2018)Tiered Governance and Demonetization: The Shifting Terms of Labor and Compensation in the Platform Economy (2020)Parables for the virtual: movement, affect, sensation (2002)The Language of New Media (2002)The Cultural Politics of Emotion (2013)The Queer Business of Casting Gay Characters on U.S. Television (2018)Competing contestations of the norm: emerging sexualities and digital identities (2019)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Culture, Media, Language (2003)Acknowledging/denying LGBT+ difference: Understanding homonormativity and LGBT+ homogeneity in Flemish TV fiction through production research (2019)Inside/out: lesbian theories, gay theories (1992)Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics? (1997)Publics and counterpublics (2003)After Marriage: The Assimilation, Representation, and Diversification of LGBTQ Lives on Irish Television (2020)Public service broadcasting and the emergence of LGBT+ visibility: A comparative perspective on Ireland and Flanders (2020)Tools and measures for diversity and inclusion in media industries: International best practice and informing policy change in the Irish film and television sector (2022)Families we choose: lesbians, gays, kinship (1991)Politeness, Power and Provocation: How Humour Functions in the Workplace (2000)Making Things Perfectly Queer: Interpreting Mass Culture (1993)Fan Cultures (2003)A critical introduction to queer theory (2004)Rethinking Globalization: Glocalization/Grobalization and Something/Nothing (2003)Technologies of Humanness, Aporias of Biopolitics, and the Cut Body of Humanity (2003)The Sexualisation of Culture? (2012)Participatory media fandom: A case study of anime fansubbing (2011)The ongoing significance of national media systems in the context of media globalization (2015)Capitalism and the media: moral economy, well-being and capabilities (2016)The daily you: How the new advertising industry is defining your identity and your worth (2014)“Gaming the System”: Platform Paternalism and the Politics of Algorithmic Visibility (2019)The Nested Precarities of Creative Labor on Social Media (2021)
this work references cited by second hop

References

  • 2006The television will be revolutionized583 cited
  • 1991Logics of television: essays in cultural criticism517 cited
  • 2009Media Industries: History, Theory and Method304 cited
  • 1997Breaking Up America285 cited
  • 2009Critical Media Industry Studies: A Research Approach243 cited

Cited by

  • 2018Introduction: What Is Queer Production Studies/Why Is Queer Production Studies?28 cited
  • 2017Feeling Normal: Sexuality and Media Criticism in the Digital Age23 cited
  • 2020Gay the right way? Roles and routines of Irish media production among gay and lesbian workers20 cited
  • 2020Camping it up and toning it down: gay and lesbian sexual identity in media work16 cited
  • 2020‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms16 cited
  • 2017Identity modulation in networked publics: Queer women's participation and representation on Tinder, Instagram, and Vine15 cited
  • 2018“Openness through Sound”: Dualcasting on Irish LGBT Radio11 cited

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