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Binding medium, pigments and metal soaps characterised and localised in paint cross-sections
0 references·16 citing·42 second hopsampled
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  • 2015Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium60 cited
  • 2012A joint application of ATR-FTIR and SEM imaging with high spatial resolution: Identification and distribution of painting materials and their degradation products in paint cross sections57 cited
  • 2010Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressionist Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution49 cited
  • 2010Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy49 cited
  • 2008Evaluation of the “added value” of SIMS: A mass spectrometric and spectroscopic study of an unusual Naples yellow oil paint reconstruction40 cited
  • 2019Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings39 cited
  • 2014207Pb and119Sn Solid-State NMR and Relativistic Density Functional Theory Studies of the Historic Pigment Lead–Tin Yellow Type I and Its Reactivity in Oil Paintings37 cited
  • 2014Nuclear Magnetic Resonance Spectra and 207 Pb Chemical-Shift Tensors of Lead Carboxylates Relevant to Soap Formation in Oil Paintings33 cited
  • 2016Multi-analytical approach (SEM-EDS, FTIR, Py-GC/MS) to characterize the lacquer objects from Xiongnu burial complex (Noin-Ula, Mongolia)33 cited
  • 2016High mass and spatial resolution mass spectrometry imaging of Nicolas Poussin painting cross section by cluster TOF‐SIMS31 cited
  • 2017Elemental and Molecular Segregation in Oil Paintings due to Lead Soap Degradation

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29 cited
  • 2019Mixed lead carboxylates relevant to soap formation in oil and tempera paintings: the study of the crystal structure by complementary XRPD and ssNMR28 cited
  • 2005A study of zinc soap aggregates in a late 19th century painting by R.G. Rivers at the Queensland Art Gallery27 cited
  • 2015The efficiency of micro-Raman spectroscopy in the analysis of complicated mixtures in modern paints: Munch's and Kupka's paintings under study26 cited
  • 2017Interactions of natural resins and pigments in works of art26 cited
  • 2006The degradation of oil painted copper surfaces24 cited