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Entering the Pit: Slam‐dancing and Modernity
16 references·11 citing·34 second hop
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this work references cited by second hop

References

  • 1977Outline of a Theory of Practice27,662 cited
  • 1996Discipline and Punish: The Birth of the Prison.15,379 cited
  • 1986The Anthropology of Performance2,586 cited
  • 1992Origins of the modern mind: three stages in the evolution of culture and cognition2,427 cited
  • 2003Gdzie są moje granice? O postkolonializmie w literaturze1,375 cited
  • 2010The Protestant Ethic and the Spirit of Capitalism1,337 cited
  • 2010Subculture1,298 cited
  • 1975Dramas, Fields, and Metaphors: Symbolic Action in Human Society.695 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.686 cited
  • 1952Suicide. A Study in Sociology490 cited
  • 1985One Chord Wonders: Power and Meaning in Punk Rock289 cited
  • 1991Language, Anthropology and Cognitive Science264 cited
  • 2003Cut `n' Mix222 cited
  • 1992the end of the body?198 cited
  • 2018Language, Anthropology and Cognitive Science185 cited
  • 1993England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and beyond169 cited

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Cited by

  • 2011Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality137 cited
  • 1999Rules of rebellion: slamdancing, moshing, and the American alternative scene87 cited
  • 2011Embodying hardcore: rethinking ‘subcultural’ authenticities45 cited
  • 2013Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene36 cited
  • 2003Punk's Origins: Anglo-American syncretism21 cited
  • 2013Punk, ação e contradição em Portugal. Uma aproximação às culturas juvenis contemporâneas*18 cited
  • 2017Performing hardness: Punk and self-defense in Mexico City16 cited
  • 2013Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene15 cited
  • 2014Brothers of Metal! Heavy Metal Masculinities, Moshpit Practices and Homosociality6 cited
  • 2014The Lived experience of the popular music festival-goer.4 cited
  • 2009Subjectivity In American popular metal: contemporary gothic, the body, the grotesque, and the child3 cited